WE'RE SUPPORTING

Norman Saunders was one of the most celebrated pulp artists of the ’30s, ’40s, ’50s, and ’60s, with his images adorning the covers of thousands of comic books, dimestore paperbacks, and trashy men’s magazines. The Illustrated Press has just published a retrospective of Saunders’ work. Read more

WE'RE TRAVELLING TO

Herzog and de Meuron, the Swiss architects, have led the way with this re-use of the existing building fabric of CaixaForum in Madrid. Rather than being slavish to the existing openings, the building has been cut away for a contemporary practicality. We think this is an example of heritage not getting in the way of progress. Check out a similar concept of a previous post re-using the city fabric, where we were dreaming of such thing.

WE'RE WEARING

With waiting lists and pre-orders already taking place, there’s enough competition for this label without sharing it with the world. But what the heck. A little bit of fashion karma never goes astray. So listen up ladies. If you haven’t heard of Aussie label Maurie & Eve, you need to pay attention. Because their current collection, ‘End of the Line‘ is due to sell out as soon as it drops during October. Read more

WE'RE THINKING

Harma Heikens makes disturbing, perverted mash-ups of children’s toys, dolls, and figurines — all life-sized for extra creepiness Read more

WE'RE READING

I’ve been a big fan of Michelle Vandermeer’s work since I came across her Mini Majellen zines at this year’s Sydney Writers Festival. Describing herself as a doer — as in one of those people who are always doing or making something — Michelle’s work, which includes book binding, illustration, jewelery making and her zines, stems from an internal creative springboard and a double degree in architecture and graphic design. Her work is smart and succinct. Read more

Animator Mathieu Labaye created this short film in tribute to his late father, who had been in a wheelchair for the last 15 years of his life. Read more

WE'RE LISTENING TO

So 2008 brings its first great album of the year, the self-titled release from Susanne Sundfør, put out on a small label — Your Favourite Music — and a totally unsettling and challenging listen. Read more