Posts tagged with John Klassen
February 26, 2009 | New Illustration | by Ilana Kohn |
I’ve been admiring the work of Portland illustrator John Klassen for a while now. I’m irrepressibly drawn to his muted, textured landscapes, in all their mysterious glory. No coincidence then that a Coraline section should have recently appeared on his site. It just makes me want to see the movie even more. Read more
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I’ve known the New York-based artist Jordan Awan for quite a long time now. Since he was in high school in fact. So I have had the privilege of watching his art truly evolve into something amazing. Read more
There’s something quite captivating about the muted tones and soft textures of Anna Fraser’s photographs. The Australian designer has a very precise sense of framing, which is reflected in the slightly insidery, but beautifully balanced perspective that her work provides on places and scenery that only few people ever get to experience. By her own admission, Fraser ‘prefers things that are not usually very fashionable. Like beige, lots of beige and maybe a bit of taupe’. We think she might be onto something. Read more
What a wonderfully grown up ethos of punk is to be found in the latest effort by New Zealand’s Stolen Girlfriends Club. I saw sequin, lace, leather, denim, tulle, rhinestone and what appeared to be heshen, breaking all the rules of taste but nevertheless making me very, very happy. Read more
I spent several hours on Omegle, a weird new site that randomly pairs you with a stranger to have anonymous chats. Something about this feels naughty, even though the raciest thing we talked about was goat curry.
Interior design website, Apartment Therapy, just posted some amazing pictures of ’70s rock stars in their parents’ homes. My favorite is of David Crosby and his dad [below]. The two look so completely opposite of each other that it’s hard to believe that it’s Crosby’s real dad. They also look like they’re barely concealing the contempt they have for each other. Crosby’s father was an Academy-Award-winning cinematographer who shot Tabu and High Noon, amongst other well-known films. Read more
Oh man, what I wouldn’t give to be able to sing like Neil Finn. His voice rasps with all the sincerity and integrity of a thousand heartfelt melodies. Heck, I’d probably trade my prized collection of Archie comics for just the chorus on this song. Driving Me Mad? You betcha(dupa). This man is a treasure. Bow low indeed.
A project of my producer and drummer, Tucker Martine, Mount Analog’s soundscapes are gorgeous, melty mixes of organic and processed sounds. Martine brings the best musicians together to create strange and beautiful music.
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Charlie Immer’s pastel-pallete sometimes obfuscates the gory violence in his surreal images. At other times, it heightens the gut-wrenching and visceral effect of his work. Read more
Yum, yum, cupcakes are fun. These creations are so clever, so arty, so damn bizarre that it would almost be a shame to eat them. Almost! Read more
Good thing Kris Kuksi channelled the trauma of growing up with an alcoholic stepfather, his disdain for ‘the typical American life and pop culture’, and his fascination with the macabre into obsessive, baroque assemblages, paintings, and drawings. Read more
Karen Caldicott’s clay head models
British born, New York-based model maker Karen Caldicott has been making clay heads for all major US publications over the last decade. Read more
Forget battery powered vehicles. Cars made from ice are the future of transportation: no pollution, no honking horns, no painful rap music blasting out of souped up stereos. And if they melt, they melt. You just swim the rest of the way down the slipstream.
Thanks to Sony Australia, four Lost At E Minor readers will win personal audio prizes, including the new 8GB Walkman S series video MP3 player and the MDRXB500 Extra Bass headphones. Read more
Using both highly rendered images and softer graphic design elements, Nate Frizzell weaves stories into his paintings that we all can see ourselves being a part of. Giclee print on Sommerset velvet archival paper 12”x20” in a limited edition of 25.
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