WE'RE SUPPORTING

Working out of Latvia, Riga, artist Ilgvars Zalans creates lush, vibrant pieces that are at once unsettling for their mashed up textures as they are eerily and awkwardly beautiful. Of his art, he says: ‘I focus on images and motifs that are fundamental, archetypal, and universal in human experience, as opposed to those that are socially determined’. Read more

WE'RE TRAVELLING TO

As a child, I took piano exams in over-sized white rooms, on baby grand pianos that felt unfamiliar and echoed strangely as someone across the room observed me in silence. It felt clinical, intimidating and completely devoid of warmth. Last week, I started noticing upright pianos, some painted haphazardly, others respectfully untouched plonked in the most unlikely places throughout Sydney. There was one on the edge of the baby pool at the local swimming pool, with a young girl in a rainbow striped dress tapping out a happy but disjointed melody; another shaded under a tree at the park on the way home. Read more

WE'RE WEARING

She may have designed for Ralph Lauren, but it’s hard to believe that Brandy Lunsford’s first two collections have been of this calibre. Read more

WE'RE THINKING

John Lennon was right, these are ’strange days indeed’. Mind you, he also claimed to have seen ‘a UFO over New York’ and ‘Nazis in the bathroom, just below the stairs’, so he may not have been the most reliable witness. Read more

WE'RE READING

Knuckleheads is a pretty fun little side scrolling game where you’re a pair of Mexican-wrestler-looking things attached to each other by a chain. You swing each other around to move and hit floaty capsule things for points, and you can change the length of the chain to get over various obstacles, but watch out for the bats.

Peter Nalitch is Russia’s answer to Manu Chao. His video for the song Guitar is a Borat-like jab at low-budget, post-Soviet awkwardness — absurd English lyrics, Eurotrash earnestness, bad wipes, and cheap subtitles. But its tongue-in-cheekness is quite apparent, and the song is disarmingly catchy and romantic.

WE'RE LISTENING TO

There’s something quite attractively kitsch about the Lucky Dragons’ latest release, Dream Island Laughing Language. It’s undoubtedly unusual, and not too friendly on the ears, but something warm and fuzzy keeps creeping out of the broken drum rhythms and looped vocals. It’s a mish-mash of jangly folk licks, Squarepusher-style drum ‘n bass with a few Coco Rosie-esque experimental sound effects thrown in: intriguing, original, and fairly hard to describe!