WE'RE SUPPORTING

Australian illustrator Sarah Carter-Jenkins creates luminous, sensual artwork which practically glides across the page with its elegance, subtle colouring and intricate detail. Read more

WE'RE TRAVELLING TO

What is it with these big fake islands that look like things from the air? We’ve had palm trees, a map of the world, and now an island that looks like Russia! Read more

WE'RE WEARING

These scarves designed by Sarah Swash and her boyfriend Toshio Yamanaka always feature their whippet and play on a sense of urban sophistication inspired by the surrounds of their East London studio. Definitely a justified indulgence.

WE'RE THINKING

‘Some people call me the space cowboy, some call me the gangster of love, some people call me Maurice, cause I speak with the pompetus of love’. The pompetus of love?! Really. I don’t know what the heck Steve Miller was on the day he wrote that, but I could sure do with some now. Read more

WE'RE READING

Michael Wolf, a German born American photographer, has lived in Hong Kong since 1995. His work explores the ways city-dwellers in China and Hong Kong shape their surroundings in an ‘organic metropolis’. His series — Architecture of Density — has some breathtaking images of Hong Kong’s apartment buildings.

History is the story of the winners, and western dominated culture recounts few triumphs from the east. Mongol is an effort to correct this balance, and the eastern influence is evident in much more than just the storyline. It is more like a fairy tale or legend handed down through generations, than based on fact, with mythical elements playing a major part, and the character’s motivations remaining simple. Read more

WE'RE LISTENING TO

Austin-based Future Clouds and Radar, the eclectic art-pop ensemble headed by Robert Harrison, has recently released its sophomore recording, Peoria. Where their self-titled debut album showed Harrison as the central figure in a large musical cast, Future Clouds and Radar’s latest offering finds the core band focusing their kaleidoscopic vision into a single cinematic narrative about the illusory nature of mortality. Throughout, Harrison stays true to his genre-hopping eclecticism, leading the journey through a maze of fuzz-box vocals and ethereal keys.