WE'RE SUPPORTING

In the beautiful work of New York City-based illustrator, designer and typographer, Mario Hugo, finely rendered faces and figures intermingle with various abstract patterns and shapes to create some seriously refined, surreal, and mysterious work that’s all that, and then some.

WE'RE THINKING

Terry Rogers is one of my favourite photorealistic painters. He used to work with huge linen canvases which he filled with captivating people, bored by their spoiled life and focused on satisfaction of their vices. His art talks about the new society of the young, rich, and beautiful. I appreciate the under-handed criticism that is always a constant in his artwork. Read more

If animated wall drawings of severed heads and insect men ejecting their brains from their craniums is what people produce when they have too much time on their hands, then we should do their laundry for them and cook them dinner so they’ll have even more time on their hands.

WE'RE TRAVELLING TO

Paintings from Nicholas Aoki’s new solo exhibition, Goodnight; Sweet, Hearts blur two worlds — one of mortals and one of Gods, skeletons and creature spirits. The Toronto-based Aoki uses watercolors and acrylics to create rich landscapes that he layers with the characters in this journey to death. And while the paintings contain a dark subject matter, they also contain flashes of light — a glowing full moon, say, or lamp posts helping guide the way.

WE'RE READING

When Arcade Fire won Album of the Year, a certain percentage of the population had their mindhole explode. This Tumblr page documents the feeling when Eminem and Lady Gaga miss out to some Canuck nobodies.

WE'RE LISTENING TO

When you first hear William Elliot Whitmore’s voice, it’s hard to believe he isn’t a grizzled old man. The baritone-voiced one-man-band does rousing bar room ballads on the banjo and guitar that are sure to send shivers down your spine. On closer listen, Whitmore’s voice does seem slightly affected. But like Tom Waits before him, his voice is likely to age like a good scotch.

Listen to the William Wlliot Whitemore track, Dry.

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WE'RE WEARING

Drawing upon both the traditional and the classically abstract ideals of tie design, the Sovereign Beck line of neckwear was created in limited quantity: bias cut and hand stitched in New York City. There are just 75 pieces per design.