Posts tagged with iconic photographs
January 14, 2009 | New Photography | 
by Alison Zavos 
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New York-based photographer Michael Lavine took the iconic photo of Kurt and Courtney for the cover of Sassy magazine back in the early 1990s. We asked him to recount the story behind the shoot: ‘We shot the photos at my Bleeker St loft on the Bowery. I remember that my friends Andrea Linett and Janet Billig were there. I remember the ridiculous twelve foot silk lighting setup I used. I remember people having to go out and score dope. I remember Kurt telling me that the reason that he loved Courtney so much was that she was the only girl he knew that would stand up at a party and smash a glass table to bits just for the hell of it. I remember thinking that was a pretty odd reason to love someone’. There’s an extensive interview with Michael Lavine on the Feature Shoot website.
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The self-portrait work of New York-based photographer Jen Davis is an honest and poignant look at self-image and isolation. She currently has a solo show at the Indianapolis Museum of Contemporary Art. [see more photos in this series at Feature Shoot] Read more
My friend Lenka Kripac, formerly of Aussie group Decoder Ring, now flying solo, has just released her debut single — The Show — and it’s as catchy a slice of pop hedonism as you’re ever going to hear. Be warned: one listen and you may never shake the melody.
Skateboarding is fun. I know this because we have one in our apartment which we use to cruise across the polished floorboards to get from room to room. Though I should acknowledge at this point that I use the term ‘cruise’ liberally. Read more
This mini-museum is right next to that shining fortress of New York’s MOMA and always has interesting shows, is never crowded, and the works are sure to inspire you. The Folk Art Museum is best known for putting now-popular outsider artist Henry Darger under a huge spotlight. And they’re showing some of his masterpieces yet again. Don’t miss it! Read more
This interview with James Lavelle gives a fascinating window into the making of the latest UNKLE opus, End Titles, Stories for Film.
These Internal Organ Keds by Dynomoose remind me of the posters in front of Chinese foot massage places that show how different parts of the foot correspond to an organ in the body.
TIME magazine’s annual Person of the Year issue is coming out this week. I illustrated one of the runner-ups, but of course, I have to keep my mouth completely shut. I don’t know who is the winner though. On TIME’s website, you can see all the past covers of this most talked about issue of each year. It’s a good time to look back history and learn from it anyway, don’t you think?
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Charlie Immer’s pastel-pallete sometimes obfuscates the gory violence in his surreal images. At other times, it heightens the gut-wrenching and visceral effect of his work. Read more
Trip out with Sparrow Vs Sparrow’s retro illustrations, I love their aesthetic, color use and sense of humor. Read more
Check out Mike Stimpson’s Lego reinterpretations of classic photographs. Stimpson’s version of Malcolm Browne’s iconic 1963 photograph of the self-immolation of Thich Quang Duc is particularly twisted. Read more
1970s and 80s Soviet Union buildings
Cambodian born photographer Frederic Chaubin is the editor of French magazine Citizen K. His photo series on bizarre buildings built in the former Soviet Union during the 1970s and 80s is absolutely fascinating. Read more
With the recession still biting, it may be time to whip out the glue and the cardboard and make your next pair of cool kicks. Don’t know how they’d manage in the rain though? Read more
Wolfmother. Rock n roll. Mystical lyrics. Heavy riffs. They have a new album out, Cosmic Egg, and we have five copies to giveaway, along with their debut album. To enter, tell us your favorite Wolfmother song and the city you live in. Yo! Two fingered salute. Read more
Using both highly rendered images and softer graphic design elements, Nate Frizzell weaves stories into his paintings that we all can see ourselves being a part of. Giclee print on Sommerset velvet archival paper 12”x20” in a limited edition of 25.
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