‘The future is already here; it’s just not very evenly distributed’ (William Gibson). That quote comes to mind each time I visit Brenna Murphy’s ever-changing website. The Portland-based artist always seems to be a couple of steps ahead of the game. Her otherworldly hologram-like puzzles of marbelized baroque mandalas form an intertwining ecosystem that seems so near and yet so remote. Her art manages to spark an excitement of trying to discover and access her dense and rich digital environments, which I haven’t felt for a long time. Perhaps in a few years from now I’ll understand it. Until then, I remain amazed.
FOR CREATIVE INSPIRATION
Got a minute for a quick survey?
We would <3 to learn more about you - it'll help us better understand you, make sure we're working with advertisers you want to see on the site and make Lost At E Minor the best site it can be. All information is collected and used anonymously.
Take the survey here
Become a Contributor
OUR MOST POPULAR POSTS