WE'RE SUPPORTING

Sculptor George W. Hart recently made a geometric piece out of identical, laser-cut wood pieces called Frabjous, taken from Lewis Carroll’s poem, The Jaberwocky. Hart provides a PDF of the template he used to cut the pieces, which you can use to make your own.

WE'RE THINKING

From China’s shipyards to the mines and manufacturing cities, Edward Burtynsky’s work shows the impact we have on nature through documenting these landscapes in rich and detailed large format photography. His work is mesmerising and captivatingly beautiful. Read more

This interview with James Lavelle gives a fascinating window into the making of the latest UNKLE opus, End Titles, Stories for Film.

WE'RE TRAVELLING TO

If words like twentieth century, architecture, salvage, furniture and hodgepodge turn you on, then Retrouvius will enter into The Hall of Fame when it comes to showing off your new digs. I am quite partial to the Central Line Tube Table, being that I take the line everyday. ’Dining on’ instead of ‘schlepping in’ could expand relations with the city. You also might enjoy poking through their project page for home inspirations.

WE'RE READING

I’ve seen a lot of strange things on the Internet, but this Tumblr just baffles me. It’s called Animals with Casts, and it’s exactly what it sounds like. Picture after picture of different animals wearing casts. Read more

WE'RE LISTENING TO

Hotly tipped by a handful of soothsayers to take 2009 by storm, Trembling Bells are an altogether different and refreshing musical experience to much of what seems to excite people at the moment. On first listen, it’s fairly easy to ignore — one could casually shrug it off as some limp take on Scottish baroque folk. Yet, there is something more to it. Rarely do you hear that high-pitched, warbling voice in mainstream music. Likewise the marching band cacophony going on in the background is both daring and highly intriguing.

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WE'RE WEARING

Ring out the bad, and ring in the good, Yessir, these Happy Day and Crappy Day rings are just that: a jolt of brutal realism cloaked in saccharine sweet colourings.