WE'RE SUPPORTING

Glenn Brown utilizes the tactile and visceral nature of paint to create neo-classical and surreal works that reference the great renaissance masters as well as more recent artists such as Dali and Duchamp. Read more

WE'RE TRAVELLING TO

On the roof of Bangkok’s Banyan Tree Hotel is a dining experience like no other. The Vertigo Bar sits sixty one floors up, and serves delicious gourmet meals and cocktails. These are expensive by Thai standards, but cheap enough for shoestring travellers to indulge in now and then (a cocktail costs around AUD$12). I’ve spent hour after hour in the bar, drinking and smoking and taking in the amazing view. Most nights at Vertigo end the same, with fast-moving storm clouds rolling in without fail at about eleven pm. While wait staff scurry to move tables, and drunken diners navigate the steep stairs down to the safety of the hotel, the more hardy can sit and watch the clouds race closer and closer towards the building, soaking in both the atmosphere and the rainwater until the lightning gets too close for comfort.

WE'RE WEARING

Monika Tywanek and Ingrid Verner are the Melbourne-based designers behind T-V’s boutique label. Read more

WE'RE THINKING

Bats Langley. What a fantastic name! With some fantastic work, as well. I would love to see his detailed paintings or drawings grace the pages of a childrens’ book.

WE'RE READING

Sometimes tests are just too hard. Sometimes they’re just dumb. Funny Exam Answers collects all the funniest and most ridiculous results of students who may not have book smarts, but are quite clever and creative in other ways.

Artist David Shrigley’s animated music video for Blur is so simple, so sweet, so perfect. I don’t know how many times I’ve watched it, yet it still makes me cry every time.

WE'RE LISTENING TO

Tallest Man on Earth, the rasping Swedish folk singer-songwriter and one of the unsung heroes of 2008, recently recorded the beautiful song A Field of Birds, a nice adjunct to his summer album release, Shallow Grave. His sound is so loose and unmanicured, and carries a poignancy reminiscent of the rusty, early Bob Dylan.