WE'RE SUPPORTING

In her photo series Welcome To Paradise, Rivkah Young stages scenes to capture what we perceive by the term Paradise: ‘In order to declare this, humans create special places, at theme parks, shopping malls and urban residential complexes. Visions of something different — a tropical rain forest or African Savannah — are also created at the zoo or at water parks. The look of an urban place becomes a scenery-like projection of our visions’.

WE'RE TRAVELLING TO

The street art in Berlin, where I’m living, is just amazing, as these photos suggest. Read more

WE'RE WEARING

Loomstate has been a casual eco-friendly clothing design alum since 2001, and a beacon for eco-fashionistas who love to lounge and look lovely. So it’s no surprise that this spring, Loomstate is partnering with Target to bring 100 percent organic cotton and sustainable silk blends to the masses. The line, which has a starting price at around fifteen dollars, drops April 19, just in time for Earth Day.

WE'RE THINKING

There’s something folk arty about JJ Cromer’s work, and it would certainly translate well onto textiles. If Joan Miro had spent time in Africa and set up shop in rural New Jersey, his work might look something like Cromer’s. Read more

WE'RE READING

I bought BibliOdyssey [by PK, published by Fuel] yesterday at New York’s PS1 Bookstore and was surprised to find out that this old-fashioned book (archival images from old books) was actually based on the blog, BibliOdyssey. Read more

Micah P. Hinson is like every rustic, broken down, and pieced back together country great that’s ever been. Only hipper and slightly less sombre. This track, Diggin’ A Grave, is a button-up hoe down with a classic pop chorus and a jangly banjo accompaniment. Yup, some folk have all the fun.

WE'RE LISTENING TO

When you first hear William Elliot Whitmore’s voice, it’s hard to believe he isn’t a grizzled old man. The baritone-voiced one-man-band does rousing bar room ballads on the banjo and guitar that are sure to send shivers down your spine. On closer listen, Whitmore’s voice does seem slightly affected. But like Tom Waits before him, his voice is likely to age like a good scotch.

Listen to the William Wlliot Whitemore track, Dry.