WE'RE SUPPORTING

Good thing Kris Kuksi channelled the trauma of growing up with an alcoholic stepfather, his disdain for ‘the typical American life and pop culture’, and his fascination with the macabre into obsessive, baroque assemblages, paintings, and drawings. Read more

WE'RE TRAVELLING TO

You don’t have to venture far in Bangladesh to encounter a rickshaw, the nation’s most popular means of transport. Read more

WE'RE WEARING

New York-based designer Ryan Sullivan’s shirts are printed in his studio in low runs. His latest batch works with geometric space on silky cotton poly blend shirts.

WE'RE THINKING

Joe Coleman’s paintings are a feverish cross between Ivan Albright-inspired grotesqueness and R. Crumb-like pop-social critique. Read more

WE'RE READING

Long before the franchise destroyed our fond childhood memories like Aunt and Uncle Beru on Tatooine, many of us born in the 70s were proud to own the many products associated with the Star Wars movies. Read more

Sydney indie heroes (in the nicest possible way), The Paper Scissors (TPS to those that know the secret handshake) have made a video for their new single, The Bandit. And it’s good. Damn good.

WE'RE LISTENING TO

Castevet are a promising new experimental black metal band out of New York. They have a much more complex and technical approach than other bands of this ilk, revealing post-hardcore and death metal influences as evidenced by guitarist Andrew Hock’s work in deathgrind outfit Biolich and Boston jazz/death/doom band Ehnahre.