If you’ve seen Irreversible or Enter the Void, you’re aware of Gaspar Noe’s infamous filmmaking. Noe has become comfortable and even inviting to the harsh criticism people throw his way. Although constantly viewed as someone solely concerned with shock-value, Noe describes his work as a depiction of trauma conflicting with our primal minds. Check out his recent short, Love in Motion, and see for yourself. Shock value, or an honest mockery of modern day influences?

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I’m completely obsessed with the work of Steina and Woody Vasulka. Pioneers in video sequencer synthesizer experimentation, they have been completely absorbed in an audio/visual feedback expression starting in the late 60s and continuing today.

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