WE'RE SUPPORTING

Having been at the vanguard of Bristol’s graffiti scene for some time now, Sickboy has just released his first solo show, Stay Free, in London. The concept is a good one, although slightly reminiscent of his contemporary, Banksy. He’s transformed a Victorian Grade II listed building in East London into a ‘3D creative playground, a la a Charlie and The Chocolate Factory’. What’s more, there’s a golden ticket up for grabs. 1000 keys will be released to visitors, and the person whose key fits the lock will become the new owner of the Factory.

WE'RE TRAVELLING TO

Installed in downtown Helsinki, CityWall is a multi-touch display featuring digital media arranged into themes and events. Read more

WE'RE WEARING

If you thought that fashion and science had nothing in common, think again. Now we creative types have little time for heavy discussion about scientific facts, so we’ll get straight to the point. Emerging Sydney designer Dion Lee has interpreted ‘mitosis’, the process where cells divide, in an impressive first collection that’s already gaining a cult following. Read more

WE'RE THINKING

Brooklyn-born and based, Jean-Michel Basquiat was the first African American artist to be feted internationally for his dynamic and exciting street-art style, which mixed elements of inner-city graffiti with vibrant figurative modernism. Read more

WE'RE READING

Unlike a lot of other web comic artists, the guys at Team Society League can actually draw well. They’re also freaking hilarious. Seriously, can you top pulling God’s finger?

Andrew Fagan, lead singer of The Mockers, the poppiest New Zealand band of the 80s, came around to my place once when I was an impressionable 10-year old with stars in my eyes and a head full of shiny, shiny melodies. Read more

WE'RE LISTENING TO

Austin-based Future Clouds and Radar, the eclectic art-pop ensemble headed by Robert Harrison, has recently released its sophomore recording, Peoria. Where their self-titled debut album showed Harrison as the central figure in a large musical cast, Future Clouds and Radar’s latest offering finds the core band focusing their kaleidoscopic vision into a single cinematic narrative about the illusory nature of mortality. Throughout, Harrison stays true to his genre-hopping eclecticism, leading the journey through a maze of fuzz-box vocals and ethereal keys.