Photos of rock gods in action by Ian Witlen
Ian Witlen captures the gods of rock with his digital camera. Colorful and dynamic, Witlen’s photography communicates the energy and excitement of these performers in their element with painful clarity.
By Cary Polkovitz in New Photography on Thursday 15 December 2011
Ian Witlen captures the gods of rock with his digital camera. Colorful and dynamic, Witlen’s photography communicates the energy and excitement of these performers in their element with painful clarity.
0By Eve Politanoff in New Illustration on Friday 12 August 2011
An email will never replace the pleasure of sending a postcard. Enjoy this series of funny postcards from French illustrator, Genevieve Gauckler. Her works are bright, fun and hectic, combining symmetrical designs with soft-edged computer generated images laid against photographed backgrounds. From Paris with Love.
0By Eve Politanoff in New Art on Tuesday 12 July 2011
Welcome to the world of Saul Zanolari, a world where fake identities are stripped away and the subjects are left raw and naked. Among Zanolari’s specimens are European royalty, rock stars, elite socialites and celebrities.
0By Eve Politanoff in New Photography on Friday 25 March 2011
Take an enchanting journey in the Mexican countryside with Dreaming in Reverse, a beautiful series of photomontages by American artist, Tom Chambers.
0By Gerry Mak in New Events on Tuesday 29 July 2008
Worth1000, a site devoted to image editing and photography, is currently holding a Photoshop contest inviting participants to create genetically mutated animals. I wonder if any of these will find their way onto Cute Overload?
0By Zolton in New Photography on Saturday 7 June 2008
Working out of Texas, photographer Brittanie Pendleton captures slithers of untouched serenity. Her photographed world is slightly unsettling for its moodiness and ambiguity, but its grittiness and muted colors are beautiful and engaging.
0By Gerry Mak in New Trends on Wednesday 9 April 2008
I’m one of those people who lament the death of analog film as a medium, not because I romanticize the process, but because I love the unpredictable imperfections inherent in non-digital formats.
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