Shot in Sydney in this dark, suspenseful short a man goes to work on the same road and does the same things every day. Once he is forced by circumstance to take a different route. This route leads him to a house. Something makes him to go in. Inside he is going on an increddible journey, which might be real or not. In the end he must decide what it was, and if things are going to stay the same.

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Mulholland Drive is the only David Lynch movie I understand. I just like the craziness of it all. Is she dead, is it a dream, who’s dead, maybe everything’s a dream. That’s exactly how I like it to be.

I’m not sure what’s up or down, or real or apparition. The only thing I’m sure of is getting the answers when I’m dead. That’s what department St. Peter’s been transferred to. He and Doubting Thomas meet you at the gates of Heaven, and if you get in, they explain all the David Lynch movies to you. If you go to hell, however, then it’s just all questions and busy signals. Terrible reception, too.

Independent cinema’s king of quirky gives his own satirical take on how things have been going in the US recently. As you might expect, it’s just a little bit odd.

Digging this new direction that David Lynch is taking into electronic music, something totally different from the iconic filmmaker. Check out the video for Good Day Today, directed by Arnold de Parscau.

That brilliantly creepy director David Lynch just got more (and more) creepy. He has a coffee line. And he created this extraordinary bizarre video to promote it. Watch aghast. Rub your eyes. Then run for the hills.

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Julee Cruise, she of the enchanting, ethereal vocal cords, she of the David Lynch collaborations [listen below], she of the B-52s (she was the replacement singer for Cindy Wilson for several years), has a new album out. Cruise’s life story is full of interesting facts and exciting acquaintances, one of whom is Ukrainian-born Deee-lite member, Supa DJ Dmitry, with whom she just released My Secret Life, a new album on Purley Sounds. Ethereal, sultry, dark, elegant.

One of the greatest and strangest TV shows, Twin Peaks, is celebrating it’s twentieth year anniversary this weekend (February 12 to be exact) with a star-studded art show.

That’s right, a Twin Peaks art show. Held at the Clifton’s Brookdale, which is the only dinner I know of where the inside looks like a forest rave. Think stuffed animals, fake trees, and neon colored lights! It’s the perfect spot to see artwork by David Lynch, Grace Zabriskie, Richard Beymer, and lots more. Fingers crossed the log lady shows up!

I’ve been digging the lonely, dissonant, surf-pop noise wafting out of Jason Boyer’s basement in the form of Nerve City, his solo, home-recording project. It sounds like what should be playing out of a tinny car radio in a David Lynch-inspired nightmare.

It’s hard to pin down The Psychic Paramounts. The New York band sounds a bit like My Bloody Valentine at times, and nightmarish David Lynch soundtracks at others, layering folk, rock, and electronic elements to create a moody, auditory haze.

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Written and directed by Jennifer Lynch, daughter of David Lynch, who went into hiding after writing and directing Boxing Helena, which received a toweling from the critics. Surveillance is her first film since — a horror-thriller that has a more solid thread than Lynch senior’s latest offerings. It also features fine performances, great twists and plenty of psychotic characters. Since seeing it a film festival, I haven’t heard much about this movie, but it’s packed with interesting ideas and subtle, tense scenes.