WE'RE SUPPORTING

Philip Hall studied illustration at Central Saint Martins, where he would often do very quick pictures in the space of minutes. Of his work, he says: ‘I work in a low tech way, which is when I realized that play within my work was very important to me. It’s often the catalyst for me, I find it inspiring, the possibility of what could be. More recently, I have started to do more detailed drawings, as I would like to sharpen my observation skills’. Read more

WE'RE WEARING

While I feel I am not alone in breathing a sigh of relief over this season’s purging of fluoro, in retrospect there was a lot to be learned from the experience: don’t wear all fluoro, or don’t wear fluoro at all. And we slowly trudged back to black, which, despite what other colors may think, will always be the new black. Read more

WE'RE READING

In this post-everything mash-up culture, it’s still sometimes disarming to see how a small tweak can completely change the meaning of iconic images. Read more

WE'RE THINKING

Mercedes Helnwein’s pencil portraits are hyper-realistic and expressive at the same time. She stays apparently faithful to her subjects, but utilizes poses and lighting to obtain dramatic and expressive images. Read more

Oh man, this is good. If Jamie Lidell was born in any earlier era, he would have soul brother number one plastered all over his birth certificate.

WE'RE TRAVELLING TO

Each room in Copenhagen’s Hotel Fox is an individual piece of art. 21 international artists descended on the hotel to turn each of the 61 rooms into a unique space, featuring creative artwork ranging from Japanese manga to fluid graphic design. Read more

WE'RE LISTENING TO

Silver Summit make the sort of hazy psych-folk that would suit a long, night-time drive through the badlands. Incorporating an array of acoustic instruments, strings, slide guitar, and haunting female vocals into gossamer melodies, the collective sound like they hail from a dusty town on the Great Plains rather than their native Brooklyn.

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