WE'RE SUPPORTING

Brooklyn-group School of Seven Bells have just released my new favourite album of 2008 — Alpinisms —a slow-building, crackling collection of songs which sneak into your subconscious and spin endlessly like an old, beat up 45. Read more

WE'RE TRAVELLING TO

We have reported on Danish firm, JDS Architects, before. And here their memorable work continues. This glorious design for the Holmenkollen Ski Jump in Oslo is the result of an international competition and is to be completed in time for the 2011 World Championships. Read more

WE'RE WEARING

I don’t know if it’s the name, the relaxed look, or the attitude that just don’t sit too well with authority, but something about New York based label Sophomore has got us reminiscing about the good old days. Their current collection has boys and girls getting back-to-basics. Think jersey sweats and loose tees, mixed with yoke necks, caplet sleeves and tapered waists. And you know what that means? The search for the perfect white tee and the ultimate summer singlet is over. If that’s not enough to get you inspired, pull out your denim, pop on some 1970s vintage Jodie Foster, and get ready to channel some Lower East Side cred.

WE'RE THINKING

‘Some people call me the space cowboy, some call me the gangster of love, some people call me Maurice, cause I speak with the pompetus of love’. The pompetus of love?! Really. I don’t know what the heck Steve Miller was on the day he wrote that, but I could sure do with some now. Read more

WE'RE READING

Some might argue that the team behind People of Walmart are elitist snobs poking fun at the working masses, but is there really an economic rationale behind an ‘I Hate Queers’ t-shirt? Read more

Artist David Shrigley’s animated music video for Blur is so simple, so sweet, so perfect. I don’t know how many times I’ve watched it, yet it still makes me cry every time.

WE'RE LISTENING TO

Metronomy are a cool little London-based group headed by producer and remix extraordinaire, Joseph Mount. The sound sits somewhere between Autechre and Vitalic: clanging keyboards and body-gurning beats laced with an undercurrent of ominous electronica. It’s not as inaccessible as much of the more twisted electro-based stuff out there at the moment, although it retains an edge perhaps unpalatable for some ears. Yet there’s a catchiness to it that is clearly roping in the crowds: their live shows are a spectacle, complete with synchronised dancing and flashing costumes. If that floats your boat, they’re playing for free at the Tate Britain, London, on 27 September.