WE'RE SUPPORTING

New York-based, Australian art director Deanne Cheuk — an occasional contributor to Lost At E Minor — is one of the most adventurous and creative designers around. Her work on Tokion magazine, in particular, for which she shaped the visual direction over several years, was inspiring, pushing the boundaries by incorporating illustration, offbeat color touches and avoiding the straight portrait shots which seem to dominate the front window of every inner-city newsagency.

WE'RE TRAVELLING TO

The work of Australia’s Ben Frost is always interesting. He’s known for his controversial art juxtapositions that confront contemporary Western paradigms in our advertising obsessed society. Crapitalism is on display until November 3 at Opus Gallery in Newcastle, UK. I do hope any disgruntled viewers refrain themselves from slashing his work with a knife, unlike the infamous 2000 Australian episode.

WE'RE WEARING

MyPetsQuare loves you, and you will love them too. Two Sydney girls with a desire to design and create form the basis of this label. Vicki Lee and Angelique May-Bennett play with the idea of individualism and the longing to stand out from the crowd. Read more

WE'RE THINKING

Whoa. That was intense. I’ve just awoken from a dream whereby my big self somehow stumbles upon my five-year old self playing enthusiastically with a group of kids. Read more

WE'RE READING

LA’s premier art and design magzine, Arkitip, has gone all out with the ‘free’ giveaway for issue no. 0045 and has included a 9″ x 12″ Evan Hecox 2-color silk screen print signed by the artist! Read more

In my next life, I want to sing like Frightened Rabbit frontman Scott Hutchison. Oh, and grow a lush beard, so I can play in their band. Better start cracking.

WE'RE LISTENING TO

Hotly tipped by a handful of soothsayers to take 2009 by storm, Trembling Bells are an altogether different and refreshing musical experience to much of what seems to excite people at the moment. On first listen, it’s fairly easy to ignore — one could casually shrug it off as some limp take on Scottish baroque folk. Yet, there is something more to it. Rarely do you hear that high-pitched, warbling voice in mainstream music. Likewise the marching band cacophony going on in the background is both daring and highly intriguing.