WE'RE SUPPORTING

Using found/re-purposed paper to draw on, British artist Olivia Jeffries creates pieces that look as if they have fallen out of the notebook of some latter-day Da Vinci.
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WE'RE TRAVELLING TO

I went to a Isol/Zypce concert in Buenos Aires last week and fell in love with their sound. This experimental singer-songwriter brother and sister duo proves that Argentinean music is not just about Tango. Though, of course, I love Tango, too!

WE'RE WEARING

As if this season’s dresses weren’t delightful enough, here’s another reason to liquidate some stock and ruin your credit rating. First Prada and James Jean, now the top end retailer, Nordstrom: the exploration of art by fashion is long overdue, but well worth the wait. The Nordstrom campaign brings together three great things: the Cuban illustrator Ruben Toledo, the fashion photographer Ruven Afanador and the elvin Jenny Sweeny. Just looking at it makes me want to wrap myself in Cavalli and paint my walls bone shell white.

WE'RE THINKING

In late 80s and early 90s, the Illustrated Laser Ray and futuristic grids aesthetic was a sensation, years before it began to diminish abruptly. But just like every fashion, it became mainstream and mutated into portrait backgrounds. A large amount of these pictures are documented on the Laser Portraits websites. Read more

WE'RE READING

The uber-hip French producer M83 has compiled a Secret Playlist for us in which he props Brian Eno, Julee Cruise, and Tears For Fears’ Head Over Heels: ‘This song was the biggest influence for my new album. Our track, Kim and Jesse, takes a lot of inspiration from 80s bands like Tears for Fears. This is one of my favourites’. Read the rest of M83’s Secret Playlist.

I remember the first time I saw a Mark Rothko piece at the Art Institute in Chicago. I’d only seen reproductions until that point, and I never understood why people considered the late painter so important. Read more

WE'RE LISTENING TO

I caught Chicago’s Ga’an the other night at the Empty Bottle, and they blew me away. I’d never heard of these guys, but they make driving, gothic prog sounds like satanic Krautrock with guitar, bass, keyboards, drums, and the night I saw them, a female vocalist. There is no distinct frontman, but for me, drummer Seth Sher’s intense and precise playing was the highlight of the show.