At the beginning of last year, I was doing a lot of relatively large-scale, drippy paintings. I did one based on a photograph I took of a slaughtered donkey in China that looks remarkably like one of Chrissy Angliker’s paintings. I had never heard of Angliker before, and it’s funny how two perfect strangers working in complete isolation can come produce such similar work. I’d like to believe that our work has nuances that differentiate us, but that’s for the viewers to decide. My piece is at the bottom of this post.
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