WE'RE SUPPORTING

It’s hard to find a misstep on the full-length debut from Melbourne band, Children Collide. The Long Now doesn’t sound like a first album: its mature, yet completely varied sound and lyrical concept makes it feel like something you’d expect from a band on their third or fourth album (you know, after the ‘cursed’ second album). Children Collide are most definitely in control, something that could have been lost while working with big-name producer, Dave Sardy. It’s rare that you pick up a CD and feel like the band has decided on everything, right down to the artwork that encases their killer album. We threw guitarist-singer Johnny Mackay a few questions about how they managed to wrap everything up in such a … errr … tight little package. Read more

WE'RE TRAVELLING TO

Here’s another commercial building, and no doubt a nice one too. But just another commercial building. Yet there is something different here and it’s in the materials used. The cladding is a fibre-reinforced polymer, or a FRP, and has a finish similar to that of a car. Read more

WE'RE WEARING

Once upon a time there was a real connoisseur of jeans, Hidehiko Yamane, as expert and demanding as only certain Japanese ‘otaku’ can be. Read more

WE'RE THINKING

Philadelphia-based artist AJ Fosik’s wooden sculptures look like Indonesian gods guarding an intergalactic temple built by time-traveling monks. Read more

WE'RE READING

We’ve just launched a new Bullet Web Studio designed website to complement our new weekly email publication, My Secret Playlist, in which we invite our favourite bands and musicians to give us the rundown on their eight favourite songs or albums right now. The latest band to do a Secret Playlist for us is Washington-based indie rockers, Jukebox The Ghost. Check it out, and check them out below.

Oh boy, this is fun. Omaha’s Tilly and the Wall are kitsch-cool-camp-vauderville meets pop-folk-flamenco, with a tap dancer for a drummer and some serious, serious charisma for a calling card.

WE'RE LISTENING TO

It’s only fitting a band of Canadian rootsters like this would tap a mythical figure of folklore for their namesake. Indeed, Ottawa’s The John Henrys understand the power of the familiar. Read more