Once the stomping ground of Julia Child, Cambridge, Massachusetts just outside of Boston, is replete with gastronomic delights. Innovative, modern cooking served in bank-vaults-turned-restaurants sit beside down-home cafes serving New England comfort food. Hi-Rise Bread Company in North Cambridge falls nicely into the latter category, dishing out absolutely addictive breads, cakes, sweets, and sandwiches. Here, diners sit at long, wooden communal tables — often elbow to elbow — while bakers scurry around the half open kitchen, pulling steaming breads and muffins out massive steel ovens. Whether you go for the hearty oatmeal with cranberries and walnuts or the infamous egg salad sandwiches or vanilla loaf, you’re these scrumptious New England treats are sure to satisfy. [photo via tinyurbankitchen]

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If you happen to find yourself in the trendy Harvard Square area in Cambridge with a hot date and nowhere to go, then you should head down to The Middle East Club. Not only does it own the restaurant ZuZu next door, but head past the perfect mural on the wall and downstairs or upstairs, and you’ll witness great live performances from indie bands, jazz bands, electro bands, you name it, all filled with college aged peeps to cool and wise thirty-somethings.

Cambridge artist Alan Warburton collaborated with a non-art audience to produce this series of work in which he asked volunteers to use fruit to explain politics: ‘In Caracas, Venezuela, volunteers explained the complex and lively political scene using melons, and in Cambridge, diverse residents used locally picked apples to explain the issues that affect the city’, he says of how the series unfolded.

Sarah Lüdemann is a German artist living and working in Cambridge, England. Of her work she says: ‘the connection point between all my pieces of work is the concept of identity. Initially I started exploring my own ‘self’ through traditional self portraits. But soon I started investigating the notion of the self-portrait in wider terms to find out where it starts and where it ends and whether it is expandable. Within my recent practice I also started to look at other people’s identities and how they expand or contract within a changed context’. [see also the portrait artwork of David Kassan]