WE'RE SUPPORTING

Adrian Tomine is one of the finest cartoonists and illustrators of this generation, alongside the iconic Chris Ware and Daniel Clowes. He began his career Xeroxing copies of his comics for distribution, and stubbornly chooses to work in a medium as deliberately obscure as independent comics. While he continues to develop his ongoing series Optic Nerve (currently entering its fifteenth year of publication), he’s also the illustrator of choice for the New Yorker.

WE'RE TRAVELLING TO

The Loveless Cafe, a little oasis on the outskirts of Nashville, is like a refuge for the disenfranchised, serving up good ol’ southern cooking to a legion of America’s finest. Read more

WE'RE WEARING

This cool black unisex t shirt by UK label Client is made in England, printed in Berlin, and beautifully packaged in East Berlin cartonage, especially designed for Client.

WE'RE THINKING

I started reading a very funny book over the weekend by the English writer Toby Young called The Sound Of No Hands Clapping. Brilliant. Never has a title been so apt as Young bumbles his way through the fickle Hollywood movie industry. It’s an excellent study in human nature. And a mighty big whack to to the shallowness of the celluloid world along the way. [illustration by Cecilia Carlstedt]

WE'RE READING

We love sex in art. No, not in a smutty Benny Hill kinda way, but rather the way in which Australian-based website Sex In Art takes a healthy peek at all things arty and well … sexual. There’s some beautiful illustration work up there and some evocative photography. Heck, I’m getting a little hot under the collar just writing about it. While most of the work they feature is work friendly, some of it isn’t. Still, it’s worth more than a casual glance, like this painting by Chinese artist, Guan Zeju.

The Deal sisters have dropped off the indie-rock radar of late, but this clip of them covering Hank Williams’ I Can’t Help It reminds us why we all loved them so much back in the day. Incidentally, the Breeders are set to release their new album, Mountain Battles, in April.

WE'RE LISTENING TO

Where would we be without synths and drum machines? Probably still listening to Grateful Dead jams in the alleyways of Height-Asbury. Done well, the remix is a wonderful thing. Case in point is Royksopp’s rendering of the Kings of Convenience track I Don’t Know What I Can Save You From. And then there’s Riton’s version of the Mystery Jets song, The Boy Who Ran Away. A White Lines for the 21st Century? I think so.