WE'RE SUPPORTING

My background is in street art and there are a lot of people historically who I’ve really liked. But in terms of new people, I particularly love the work of Brooklyn artist Judith Supine. It’s a surreal combination of old engraving art mixed with hand-drawn and painted images. He does paste up posters, but they’re not just square, they’re cut-out shapes of these interesting looking characters. The closest thing I could compare it to are the Monty Python animations. Read more

WE'RE TRAVELLING TO

No, this is not a still from a Dr Who episode. It is, instead, the facade of the Wotruba Church, built between 1974 and 1976 and located in the beautiful Austrian suburb of Mauer, the 23rd district of Vienna. Now, if only all religious buildings were so damn adventurous. It would kinda make Christmas mass more enjoyable. Read more

WE'RE WEARING

Clara Kraetsch and Doreen Schulz are the designers behind the hot Berlin design label C-Neeon, which hit hard onto the fashion radar after winning the Young Designers competition at the Hyeres Festival. Read more

WE'RE THINKING

Brooklyn-born and based, Jean-Michel Basquiat was the first African American artist to be feted internationally for his dynamic and exciting street-art style, which mixed elements of inner-city graffiti with vibrant figurative modernism. Read more

WE'RE READING

Vintage Kids Books My Kid Loves is a great resource for people looking for gift ideas or simply for those who dig the artwork in out-of-print and esoteric children’s books from years past. The author provides reviews from the perspective of a parent, not merely a hobbyist.

The Australian film collective behind the sci-fi spoof, The Time That Time Forgot, perfectly capture the look and feel of awkward, low-budget rip-offs from the ’70s — the psychedelic lighting, bad dubbing, and amazing hair. One almost wishes Italian Spiderman was for real. [more about Italian Spiderman]

WE'RE LISTENING TO

Lindstrom, the man who single-handedly coined the term ‘minimal space-disco’ (well, perhaps nudged in the right direction by Orbital et al), recently released a new, rather ambitious, album, Where You Go I Go Too. Weaving between ambient trance and breakbeat-flecked disco, the producer responsible for the mesmerizing reworking of that tune we all secretly love, Roxy Music’s Avalon, has produced a worthy follow-up to his 2006 album, ‘It’s A Feedility Affair’. This time, however, there’s only three tracks, ranging between 10 and 29 minutes in length, and the Eno/Ferry influence is thankfully clear to all.