De Juepuchas is a Colombian duo created by Diego Maldonado and Andres Silva to explore, with a creative approach, the soundtrack of a generation raised in Colombia in the 80s and 90s.

The voices of beauty queens, TV shows, politicians, retro slogans, and soap operas — all part of the collective memory — are mixed using digital resources, recreating a musical experience full of nostalgia, self-reflection and energy. De Juepuchas will perform this month in the Nem-catacoa Festival, near Bogota. along with Jamiroquai and The Bravery.

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Down an unassuming street in the La Macarena neighborhood of Bogotá, Colombia humbly sits one of the city’s sexiest dining spots: Leo Cocina y Cava. It is here that Chef Leonor Espinoza saturates Colombian comfort food — mainly from the coast — with intense doses of creativity to produce fresh, contemporary dishes with a clean presentation and knock-out appeal.

From sea bass wrapped in banana leaves, to whitefish ceviche, to raw tuna encrusted with Santanderean ants – a Colombian speciality – the menu features a plethora of seafood, fabulously executed, justifying why Leo Cocina y Cava is often called one of the world’s 50 best restaurants.

A minimalist design fused with a touch of old-school colonial style in the dining room accentuates Espinoza’s talent at merging the traditional and the contemporary. And in this small, chic, space, it’s not unlikely to see the Chef herself talking to customers or meticulously adjusting flowers or place settings. Details matter.

So next time you’re in Bogotá, go beyond coffee and chocolate to experience something uniquely – and fabulously – Colombian.

Formerly of Bogota, Colombia, Camilo Bejarano moved to America at the age of sixteen and now resides in Brooklyn, New York where he continues to work and play with colorful character designs, illustrations, and design projects.

Rock al Parque is the largest open-air free music festival in Latin America, held at the el Parque Simon Bolivar in Bogota, Colombia. This year the main guest, as usual, was the heavy rain. However, more than 300,000 people enjoyed the powerful and eclectic tunes of 45 bands from England, Spain, Mexico, Brazil, Argentina, America, France and, of course, Colombia, since the aim of the festival is to showcase upcoming local bands. The Philharmonic Orchestra of Bogota is in charge of this unique open party, which has been gathering youngsters from all the corners of this ten million city, and beyond, for fourteen years.
During three days of rain, mud and rock’n'roll, the enthusiastic audience enjoyed a metal loaded Saturday, with bands like Carcass (England), Ratos de Porao (Brazil), and Paradise Lost (England), along with local bands, Koyi K Utho and Masacre.

A wet and vibrant Saturday saw the Cumbia-ska of Panteon Rococo (Mexico), reggae from Chile from Gondwana, local ‘funny punk’ performed by Odio a Botero, alternative rock by the avant-garde Babasonicos (Argentina), and a great closing act by the awesome Black Rebel Motorcycle Club.

And a cold, emotional and unforgettable Monday took in Sergent Garcia’s ‘fusion-vibes’ from France, experimental rock from Mexico by Austin TV, and the incredible Bloc Party, with the remarkable voice of Kele Okereke who made this edition of Rock al Parque memorable.

After three days of the worst weather and the best music in my hometown, now battling with a fierce cold, I can say this festival is the must amazing scenario of tolerance around the music spirit in the world.

Two centuries before Gunther von Hagens started plasticizing cadavers, Clemente Susini was making wax replicas of body parts and structures. Using a stereophotography, Stamford University Medical Media and Information Technologies (SUMMIT), in partnership with University of Bologna and photographer Bernard Makinson, are now painstakingly documenting the 2,000 sculptures Susini made in his lifetime, ensuring not only that future generations have a record of them, but also an approximation of what they looked like in person.

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Picture this: a crowded bullfight ring in downtown Bogota, under the moonlight of the brightest full moon of the year, surrounded by gigantic, colorful buildings. Suddenly, the lights turn off. From the top of Colombia’s tallest building — the Torre Colpatria (almost 200 metres high) — a white angel descends, dropping feathers on his way down to the arena. Sounds like fun? This scene is the introduction to Tombés du Ciel, or Fallen from the Sky, directed by Pierrot Bidon from Les Studios de Cirque de Marseille. They were the main attraction of the XI Iberoamerican Theatre Festival, which was held in Bogota in March.

La Silueta is a design studio and editorial house from Bogota, Colombia, with a select portfolio of new artists’ books (Nicolas Paris, Doble Faz, and others), local street art and the publication, Chino Magazin. They work with museums and cultural organizations on design-based projects, taking a disruptive approach to their creative process.