LAEM: Where did the inspiration for the graphics, graffiti and cartoons seen throughout the film come from? MM: ‘I went to art school, not film school, so this kind of open filmmaking comes quite naturally to me. It’s how I instinctively solve problems in production, story, or just film boredom. The reason the graphics and drawings worked is because they were a real way to understand what Oliver was thinking and feeling. And while they are quite straightforward and declarative, they end up feeling strange and lyrical, and deliver information in a way that doesn’t feel dialogue driven’.
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