WE'RE SUPPORTING

Brooklyn-based artist Leah Beeferman draws inspiration from architecture, maps, and mechanical diagrams for her geometric, almost-non-representational drawings. Her images seem ancient and timeless, hinting at traditional Asian scroll paintings, folk art, and cave paintings. Yet through her installations and projections, they cast new light on the contemporary spaces in which they exist. Read more

WE'RE TRAVELLING TO

Having lived in New York for over two years now, transplanted from the sunny beachside landscape of Sydney, Australia, I appreciate the gritty realism, yet positiveness and vibrancy in the photographic series on Manhattan locals by British writer and photographer, Ian Woolverton. In addition to his talents with the lense, Woolverton also has two humanitarian awards: one for the Australian Red Cross Service Medal for his achievements in the Bali bomb response and the other, Australian Government’s Humanitarian Overseas Service Medal, for covering the tsunami in Aceh. Read more

WE'RE WEARING

These antler pendants are hand-crafted, made in sterling silver, and brought to you by the talented kids at Fuzz Design. They are revolutionizing the way we view hunting and taxidermy: it just got a whole lot more fashionable! Why not wear a piece of reindeer around your neck this Christmas?

WE'RE THINKING

Marianne Goldin creates lush illustrations that convey a wonderful sense of drama amidst its classical romantacisim. Read more

WE'RE READING

Square America is a photo blog that’s sort of like Found magazine, but with more rhyme and reason. The eerie, antique photos are organized by theme, subject matter, and even the ways in which time or lens imperfections distort the images. Read more

The Australian film collective behind the sci-fi spoof, The Time That Time Forgot, perfectly capture the look and feel of awkward, low-budget rip-offs from the ’70s — the psychedelic lighting, bad dubbing, and amazing hair. One almost wishes Italian Spiderman was for real. [more about Italian Spiderman]

WE'RE LISTENING TO

I haven’t bought a CD in a while but I was strolling down Wellington’s Cuba Street looking for a bit of inspiration the other day when Liam Finn’s music tapped me politely on the shoulder and dragged me into the music store. Liam is New Zealand music royalty, of Neil Finn descent, although — with his wild hair and beard — he’s looking a bit more like a young Jesus these days. The record is made with the help of an analogue loop machine, and you’ll find the kind of stunning instrumental crescendos that I haven’t heard since The Beatles Hey Jude. He engages emotionally and spontaneously, with both skill and showmanship.