Lost AT E Minor

Two Americas

There are two Americas: one which strives to create its own culture, music, and art with a strong sense of ethics in mind, and another that drinks 32-ounce energy drinks before waiting on line to get into a club packed with women trying to get back at their overbearing fathers, and homophobic men with a fondness for Axe body spray. How do we bridge the divide?

New Practical Heritage

Herzog and de Meuron, the Swiss architects, have led the way with this re-use of the existing building fabric of CaixaForum in Madrid. Rather than being slavish to the existing openings, the building has been cut away for a contemporary practicality. We think this is an example of heritage not getting in the way of progress. Check out a similar concept of a previous post re-using the city fabric, where we were dreaming of such thing.

Mike Bertino

This is Mike Bertino and his work absolutely wonderful. He’s got this original, almost lo-fi Tim Biskup thing going on and it makes me really want to grab a beer with him. I love when artists give their pieces names like Knuckle Inferno and Man Beard. It just makes them that much better. He keeps a blog where he publishes his latest work and lets you know where they’re available for purchase, so go check it out. I think I’m going to ask him to be my BFF. Well, at least one of them. Not the only one. Cause, you know … I have more than one. Read more

Roots Manuva’s Slime & Reason

I like Roots Manuva because he tells stories. I know that sounds simplistic, but honestly, have you noticed how rappers, certainly American rappers, have stopped narrating their lives and are purely focused on how great they are? I know, I know, hip-hop is all about word play, slang, and blah blah blah. But I listen to music for stories and heart-felt sentiment. Roots Manuva gets that. He’s old school that way. His latest album, Slime & Reason, is still rooted in the UK grime scene (does that still exist, or has it gone the way of electroclash? I’m earnestly asking), but a lot of it is more overtly dub than anything he’s done so far, and he’s got some beats and samples on this record that are as dramatic and epic as some of the metal bands I listen to. He talks about real sentiments and earnest emotions and believable and relatable experiences, which may make him uncool amongst the sneaker-collecting kiddies, but even though this isn’t his best record, I still like where it’s coming from.

Alison Malone on her Daughters of Job photos

A couple of weeks back we featured the work of New York-based photographer Alison Malone, who went into the secretive environment of the Job’s Daughters to photograph the girls who are direct blood relatives of the Master Masons. This is the second part of that interview. The portraits of girls [below] are angelic. What was your intention of photographing them in this light? ‘There are many reasons that I chose to photograph the girls in this way. The first is the simple love I have of the straight photographic portrait and its ability to transmit the subtle nuances that come from an individual. When a portrait is made there is an opportunity for a delicate exchange between the photographer and the subject that creates a place to examine how one holds oneself in a moment’. Read more