WE'RE SUPPORTING

I’ve been digging the work of Berkeley illustrator Jesse Lefkowitz for some time now. You just have to love that fantastic printmaking meets vintage cartoons vibe he’s off and running with.

WE'RE TRAVELLING TO

Along with San Francisco and Barcelona, New York is arguably the modern street skating city, both in reality and image. Because of the unique background, experience and perspective of the film’s creators and the decision to “cast” the city of New York as one of the main characters, Deathbowl to Downtown promises to be an unprecedented, seminal film. Read more

WE'RE WEARING

No, Dorothy would have never come across these shoes in Oz, but she would have at Odin, a smallish men’s store in New York’s East Village. Read more

If you like what we do at Lost At E Minor — and the talented, creative people that we give props to — then we’d love to hear how you can help us get the word out to more people about the site. Read more

WE'RE READING

San Francisco-based illustrator Luke Feldman has just had his first children’s book published, Chaff n’ Skaffs: Mai and the Lost Moskivvy, a collaboration with writer Amanda Chin. The book artfully tells the story of Mai, ‘a young girl who never ventured too far from her home. When a lost mosquito interrupts Mai’s sleep, her friend Chaff suggests they escort Moskivvy back home to a faraway land. So begins a courageous girl’s voyage into a fantastic world’, all communicated beautifully through Feldman’s colorful, dynamic and considered illustrations. Read more

Back in the day, when I was a skinny teenager on the great pedestal of life, I had a real obsession for the understated, low-fi, deliciously melodic and somewhat blurry sounds of the New Zealand Flying Nun bands. I would pool my meagre savings and canvas the local record shops, scouring the racks for the latest cassettes from The Bats, The Chills, The Clean, and, later, The Straitjacket Fits. Read more

WE'RE LISTENING TO

Korean-born Okkyung Lee, who has found a niche amongst the regulars at John Zorn’s The Stone, makes intricate cello improvisations based on her classical and jazz training, following a path forged by the likes of Tom Cora, but veering off into her own stranger, noisier directions.