WE'RE SUPPORTING

Our friends over at Paper Tiger have just released their first print of the new year, and we’re lovin’ it. It’s called a Touch of Class and is the work of artist, Nathan Ota, who had a recent solo show at Hollywood’s La Luz de Jesus gallery. Ota, whose earliest influences were Frank Frazetta calendars and Vampirella comics, primarily creates his work using acrylics and wood panel.

WE'RE TRAVELLING TO

This isn’t an outdoor art installation, but it is still somewhat curated. Or maybe hoarded is a better description. Somewhere in the inner western suburb of Sydney’s Summer Hill, there is a brightly coloured collection of garden gnomes on display. The owner of the home is yet to be seen, but there are hundreds of gnomes, side by side, all with equally dopey expressions on their faces and accompanied by a second fixation: caterpillar soft toys. There are so many gnomes, the garden is no longer visible. Maybe it’s an Amelie style prank that has just piled up over the years? Read more

WE'RE WEARING

No matter what’s going on with your outfit, chances are, if you’ve got good shoes on, you’re okay. Keep Company shoes are only going from strength to strength, bringing out more and shoes apparel that are probably going to ruin my savings account. Read more

WE'RE THINKING

With just a limited, two-toned palette of acrylics, A. Andrew Gonzalez renders incredibly detailed images, mainly of goddesses and sirens, that look as if they’ve been carved in relief out of marble. Read more

WE'RE READING

In the lead-up to one of the most anticipated and controversial Olympic Games in Beijing, Boston.com cobbled together a bunch of surreal photos from the wires that depicts the hyper-sanitized, white-washed, and quasi-futuristic city Beijing has become. Read more

Sufjan Stevens creates autistic music for introverts — soft, shy, naive, full of shadows, windows, and insecurities. Yet it all sounds slightly forced, his enigmatic songwriting as comforting as it is unsettling.

WE'RE LISTENING TO

Listening to Mum’s fourth album — Go Go Smear the Poison Ivy — for the first time, I was awash with sentimentalism. Amidst carnival trumpets and burlesque beats, there’s a sense of this being a bohemian rhapsody. Perhaps it’s the mix of cello and brass with experimental electronica. Or maybe it’s just the soft vocals that cascade over playful, imaginative sounds. Whatever it is, it’s totally brilliant. [see also Sigur Ros' Heima]

Listen to Mum’s track, The Amateur Show.