WE'RE SUPPORTING

The New York Times has just run an interesting article about artist Jorge Colombo, who created this week’s cover for The New Yorker magazine exclusively using the iPhone application Brushes: ‘Absolutely nobody can tell I am drawing’. Colombo told the Times. ‘In fact, once I was doing the drawing at some place, and my wife was around, and they asked her why did I have to work so hard? I seemed to be always on my iPhone sending messages’. Read more

WE'RE WEARING

With her collection of Skinover gloves, Rotterdam-based artist and sculptor Silvia B has taken a somewhat natural approach to the task of keeping hands warm — warts and all.

WE'RE READING

This odd, atmospheric animation by web artists Aaron Russ Clinger and Miltos Manetas is simple but effective, a finely rendered piece of interactive art. There are some pretty crazy things you can make the floating man do if you play around with this long enough.

WE'RE THINKING

Yann Gross’ photos of tattooed bikers, cowboys, drag races, and Confederate-flag-adorned trailer homes are unnerving documents of the American experience. But his subjects aren’t American, they’re residents of the Rhone Valley in Gross’ native Switzerland. Judging from his photos, Europeans don’t necessarily look down their noses at the U S of A. Some of them actually celebrate it, blemishes and all.

Kirk brings Molly to meet his family for a pool party but she doesn’t have her swim suit. Kirk, an average Joe, can’t believe his luck when gorgeous babe Molly falls for him even though he’s the first to admit She’s Out of My League. In cinemas April 1.

WE'RE TRAVELLING TO

As a child, gold mining towns were exemplified in my mind by boring theme parks populated by out of work actors in naff colonial costumes. My parents used to drag us along in our overheated datsun because they couldn’t afford to take the kids to Disneyland. As often happens, I now appreciate the destinations whose mentions used to prompt a whole lot of whingeing about seatbelt buckle burns and compensation payouts of McDonalds. Walhalla is one such beauty. Set in the misty foothills of Australia’s Baw Baw ranges, it was once a gold era boom-town, but is now home to less than 20 residents (not counting the ghosts). Read more

WE'RE LISTENING TO

Where would we be without synths and drum machines? Probably still listening to Grateful Dead jams in the alleyways of Height-Asbury. Done well, the remix is a wonderful thing. Case in point is Royksopp’s rendering of the Kings of Convenience track I Don’t Know What I Can Save You From. And then there’s Riton’s version of the Mystery Jets song, The Boy Who Ran Away. A White Lines for the 21st Century? I think so.

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