Posts tagged with 80s music
August 20, 2008 | Music |
by Zolton |
Nouvelle Vague are as sultry as a warm summer’s day. Their exotic blend of acoustic jazz and pop has reinvented a handful of the 80s most hummable tunes, whilst simultaneously putting the Fresh back into Frensch - whoops, that should be French — music. Yes, a bad joke is a wicked thing. But frontman Marc Collin’s Playlist isn’t. Read more
July 30, 2008 | Video |
by Zolton |
It sounds like a cliche to say it, but they just don’t write em’ like they used to: the soulful melodies, the crisp acoustics ringing out across murky lyrical lines. The Alan Parsons Project was an experiment in creating perfect, somewhat sinister, pop. With Eye in the Sky they succeeded, then added in an extra layer of prog-rock for good measure.
July 19, 2008 | Video | by Zolton |
I love the 80s! Bring them back, please, at the very least so I can dance about like a member of Madonna’s posse and wear day-glo like there’s no tomorrow. Only there is. And it comes back to haunt you in it’s its full polaroid glory. Hmm, perhaps that rats tail wasn’t such a good idea after all.
June 16, 2008 | Events | by Gerry Mak |
I recently got to see David Byrne’s installation piece, Playing the Building, at the Battery Maritime Building in lower Manhattan. It was opening day, but I got there on the early side, and everything was pretty well organized, so it wasn’t too difficult or slow to get in. The piece is pretty straightforward – it’s an antique organ that is attached to the building via an array of pneumatic and electrical tubes that connects each key to a pipe, pillar, or metal beam. Read more
February 27, 2008 | Video |
by Zolton |
I ran a series of 80s nights in New York last year — showing cult 80s movies and playing classic cuts from that era of kitsch and spice — purely so I could spin After The Fire’s Der Kommissar over and over. Yessir, this was the future of music in 1983. Pity no one was listening.
June 20, 2007 | Music | by Zolton |
Man, I remember shaking my tail to Come on Eileen many moons ago — when rat-tails were a right of passage and Molly Ringwald held both the lock and the key to my tiny pitter pattering heart. Back then it was all ice-skating and fairy floss; skateboards and trading cards. It was bags of chips by the rusty school fence and sunburnt faces on crackling summer days. It was Pepsi and Milo; showbags at the Easter show; and games of Twister by the electric heater. And all the while a soundtrack of pure musical and lyrical indulgence played on and on and on. Mighty props to the 80s. If it weren’t for the misdemeanors and feeing of unbridled potential that pervaded that decade like a bad New Romantic haircut, then every year since wouldn’t have made any sense at all.
Listen to Nouvelle Vague’s version of Come on Eileen.
March 5, 2007 | Music |
by Zolton |
We interviewed Marc Collin, the creative force behind French group Nouvelle Vague, who along with a series of 80s acoustic tribute albums also released an installment in the popular Late Night Tales compilation series. Read more
Working out of Latvia, Riga, artist Ilgvars Zalans creates lush, vibrant pieces that are at once unsettling for their mashed up textures as they are eerily and awkwardly beautiful. Of his art, he says: ‘I focus on images and motifs that are fundamental, archetypal, and universal in human experience, as opposed to those that are socially determined’. Read more
Shortstack are a Washington DC band that not many people know about outside of the the city. They recently released an EP of covers with some sweet choices on there — The Kinks, Captain Beefheart, and The Pupils, among others. Once again a band takes different styles, sounds, and time periods, and owns it like an extra finger.
Listen to the Shortstack track, House On Fire.
Is it green? Is it funny? Is it Halloween? Or is it just a bad luck? I actually think they are super smart and stylish, and would not mind getting one of these beautiful couches next time I move to a new apartment. They are made of recycled (but unused) coffins, after all. Fantastic. Read more
I don’t know if it’s the name, the relaxed look, or the attitude that just don’t sit too well with authority, but something about New York based label Sophomore has got us reminiscing about the good old days. Their current collection has boys and girls getting back-to-basics. Think jersey sweats and loose tees, mixed with yoke necks, caplet sleeves and tapered waists. And you know what that means? The search for the perfect white tee and the ultimate summer singlet is over. If that’s not enough to get you inspired, pull out your denim, pop on some 1970s vintage Jodie Foster, and get ready to channel some Lower East Side cred.
Along with the greening of brown sites, this has to be one of the answers for a more eco future. To take a large piece of land, to maintain the bulk of it as it is naturally, and then to design a highly dense yet attractive living environment. Read more
Sydney indie heroes (in the nicest possible way), The Paper Scissors (TPS to those that know the secret handshake) have made a video for their new single, The Bandit. And it’s good. Damn good.
DJ Spooky — That Subliminal Kid — is just about the deepest crate digger around, trawling the barrels of long-lost record stores for choice vinyl to spin in his wickedly dubby sets. He gave us the inside word last week on his eight favourite songs right now via our sister website, My Secret Playlist. This is what he had to say about Lee ‘Scratch’ Perry’s Panic in Babylon: ‘If there’s anything that the twenty-first century has told us, it’s that dub is the real original hip-hop. Lee Scratch even had to make it clear in 1965 by adding “Scratch” to his middle name. Take that, Grandmaster Flash!’ Read the rest of DJ Spooky’s Secret Playlist.
WE'RE POSTING / SOME OF THE BEST
David Holmes’ The Holy Pictures
David Holmes’ fourth solo album has been a long time in the making. The man who is best known for his scoring of films such as Ocean’s 11, 12 and 13, and remixing for bands like U2 and The Manic Street Preachers, took just over ten years to make his latest album. Read more
There are two Americas: one which strives to create its own culture, music, and art with a strong sense of ethics in mind, and another that drinks 32-ounce energy drinks before waiting on line to get into a club packed with women trying to get back at their overbearing fathers, and homophobic men with a fondness for Axe body spray. How do we bridge the divide?
Freelance designer Alex Trochut uses typography, illustration and a solid idea to create works that communicate to each brief. He states that he doesn’t want to choose a particular style but instead enjoys ‘expressing himself and communicating though the needs of every project’. And his formula has worked: his clients include The Guardian G2, Nike Football, and my pencil-case favourite, Faber and Faber.
People are always looking to push the boundaries of street art, perhaps fed up with seeing the same (wild) style of graffiti over and over again. So, like Blu and Dan Witz, Julian Beever came into our lives like a breath of fresh air. His work is stunning, mind-boggling stuff: he manages to create a world ‘inside’ a pavement with his 3D pastel illustrations, tricking the eye into believing a dimension exists right below our very feet. Read more
Alison Malone on her Daughters of Job photos
A couple of weeks back we featured the work of New York-based photographer Alison Malone, who went into the secretive environment of the Job’s Daughters to photograph the girls who are direct blood relatives of the Master Masons. This is the second part of that interview. Read more
We have a stack of CDs and DVDs to give away to a lucky new subscriber who signs up to receive our free weekly email publication between now and New Year’s Day. There’s 50 new CDs in the pile, along with a handful of DVDs. So sign up now and leave a message here telling us what album you hope will be in the pile!
Warning at Work is a silkscreen mini-print from Sussex based illustrator Andy Smith which comes in a limited edition of just 50. Dimensions are 20cm x 15cm. We have them available through the Lost At E Minor store.
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