I have not seen any artist, alive or dead, that has the ability to marry paint with metal as well as John Chamberlain. Although Chamberlain began producing these sculptures back in the 1950s, they still carry a great sense of design, style and originality. Chamberlain has treated most of his sculptures as abstract expressionist paintings, letting the fragments’ shapes and colors dictate the composition.

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Elizabeth Fox uses an original but retro-feeling style to contrast contemporary notions of gender, identity, and social positioning with those of the 1950s.

There’s a quaintness implied, as well as a bemused nostalgia for what many consider to be a simpler time, but the complexity of human interaction is at the heart of each of her paintings.

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