Lost At E Minor




08 - 02 - 06 / no.54

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Bright Neon Payphone


Gusfink

What is it with message related acronyms? Soon it will get to the point where we no longer communicate in real words but instead in abbreviated codes that require a thesaurus and a yearly subscription to the Economist to understand. Spare me. But don't leave me out of the loop. Which is where I'm at right now. I hardly ever use them for a start and now it seems that when I have, it's been in entirely the wrong context. Case in point: for years I've thought that 'lol' in an email means 'lots of love'. It makes sense doesn't it? No. My trusty acronym guide has just explained that it really means 'laugh out loud'. Laugh Out Loud! Which probably explains why my past few relationships have ended so damn abruptly. 'It'll be nice to see you on Saturday ... lol'. So innocent. So sincere. Yet, the implications have been severe. D'oh! With everything getting shorter, there's actually been research done that suggests that you can rearrange the letters of many words - and even delete them altogether - and our brains will still be able to process the bulk of them correctly. Ah, language. It's a curious beast. We use it every day of our lives, yet we still struggle to master it. Or perhaps I'm just thinking about it all too much. Time for a lie down I think. And a few moments of silence.
Girl and the Sea


Brenda Wong

I got an email during the week from Matt MWM with some news about where his work is being featured at the moment. 'I have a show on right now at the Red Dot Gallery (Danforth St. Portland, Maine) which will be entirely abstract medium and large works on canvas and I've also started another online boutique that has a bunch of new gear and products'. Check out his website for more of his creative goodness. Meanwhile, there's some interesting writing and photos on Mrs Pink Eyes' website, a young artist from another place and time. Her work captures perfect moments of raw expression, innocent yet mischievous. Speaking of which, the Chase Gallery in Annandale, Sydney is presenting a series of new paintings by John Reid whose work features vivid colours and channels strong indigenous narratives. There's something very serene yet forceful about a lot of local Aboriginal art. There's also some nice work up on Columbian illustrator, Catalina Estrada's website, and some great illustrations on San Fran based designer, Aaron Feiger's website. Oh, and I've been spending far too much time here. But that's another story altogether.
Alternate Cuts

Leftfield electro and experimental pop from The Broken Social Scene. Bee Hives is essentially a collection of outtakes and B-sides, but again involves the breaking down of traditional song structures; the movement away from melody and towards rhythm as the crux of the arrangement; and the mix of conventional instrumentation (acoustic guitars/percussion) with futuristic synths. These are songs that defy conventional parameters. They skirt the pop ethic - occasionally bursting through a thick haze of ambient sound with classic chorus hooks. But generally it's more electro than anything else - reminiscent in parts of the work of producers such as Macromatics, Susumu and Godspeed You Black Emperor. It's atmospheric and moody, dripping with pathos and thoroughly immersed in its own beautiful little world.
CD giveaway

Jazzanova have almost single-handedly revitalised the spirit of contemporary electro-jazz. Their dedication to unearthing, promoting and fostering new artists within the genre is legendary and this album of remixes undertaken between 2002 and 2005 features some of the acts that have piqued these super-producer's ears over the past few years. Included here are Jazzanova-ed versions of tracks by Masters At Work, Calexico, Nuspirit Helsinki, Free Design and Eddie Gale amongst others on a compilation that flits delightfully between electro-spliced beats and straight playful jazz. Thanks to the good folk at Creative Vibes, we have five copies of this album to give away to random Lost At E Minor readers with the album title in the subject heading line.

And Finally


Lorna Napanangka


Ronnie Tjampitjinpawater


The Ann Snell Gallery in Sydney's Surry Hills is showing what looks to be a fine exhibition of works from some of Australia's leading contemporary Aboriginal artists including Barbara Weir, Barney Ellaga, Kudditji Kngwarreye, and Lilly Kelly Napangardi amongst others. It's all very vibrant and colourful work, drawing on the rich and inspiring hues of the great Australian outback. Till next time ... Zolton
Lost At E Minor is a weekly newsletter that showcases the best creative work - music, photography, design or illustration - from Australia and beyond. If you want to send me some ideas, work, comments or anything else you can think of, just email me.