Lost At E Minor




18 - 01 - 06 / no.51

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Break Charmer

Eri Katayama illustration
Eri Katayama

Silence. In this world of near constant noise and motion, it really has become a sadly neglected and undervalued commodity. Yet, as I sit, looking down on a bustling metropolis of speeding cars, people, and minds, I can't help but wonder what impact this sensory overload will have on not just our generation, but on all those to follow. Without wanting to get all new agey about it, when is enough enough? I just know that my ears are ringing from the constant barrage, though that may have more to do with my preference for really loud music than any deep societal issue. Guilty. Though, heck, some albums only work with the volume switched to max. Anyway, I was walking through the inner-city streets of Sydney one morning last week, trapped in a haze of thoughts, when it occurred to me that we - this great global melting pot of cultures - would be lost in any other era. So much of our life now is wholly dependent on instant solutions - be it communication or transport. And while the global population continues to grow, the world - on many levels - is getting smaller and smaller. Legendary boxer, Muhammad Ali, summed it all up very nicely. Many years ago he delivered a two-word poem to a Harvard graduating class. 'Me ... We', he said; as eloquent and concise a summation of our steady drift inwards as that offered by any twenty-first century philosopher.
Cruzer

Ill Designers
Ill Designers

Just a reminder that we're looking for a new image, look or design for our Lost At E Minor home page -something that better represents the concept behind the newsletter. So we're opening it up to all you creative folk out there to design us something that not only looks hot but also points towards our ongoing commitment to showcasing the best new creative work across a variety of mediums. We'll give 15 new release CDs to the designer whose work we ultimately feature. All enquiries should be directed towards Zac. Ok, there's some great new work up on the Borner website, a predominantly black and white world where anything seems possible. I've also been exploring the TartArt website which looks at digital design and its impact in an environment increasingly governed by hand-drawn creations. Speaking of which, this work is amazing. And it's also worth checking back into the photographic and illustrative goodness of F Stop and Beautiful Decay mags to see their latest installments. Mr Duudle has also been at it again, unleashing more colourful madness onto the page. Oh, and this guy is pure genius ... albeit wrapped up in some seriously warped madness.


Alternate Cuts
On Curling Pond Woods, New York-based songwriter and producer, Greg Davis, resides in that left-of-center musical patch
On Curling Pond Woods, New York-based songwriter and producer, Greg Davis, resides in that left-of-center musical patch where experimentalism is encouraged and melody is often forsaken for a handful of interesting sound effects. This album symbolizes everything good about the movement - from the use of beautiful acoustic guitar riffs to lay basic patterns over which different instrumental concepts are introduced to the sense he creates of permanent unease where a structural twist could happen at the most unexpected of moments. This is not music to relax by. Instead it challenges the listener by never settling down, the broken melodies sitting nicely over a series of deconstructed rhythms. Also worth exploring is the Jimpster: Selected Remixes 2000/2003 compilation featuring Lisa Shaw, Reunion and Hajime Yoshizawa, all of whom benefit from the expert production touch of Jamie Odell (aka Jimpster).
The Sighting
singer/songwriter Hayden Desser
The lush orchestration and gravelly vocal intonation that characterizes this album from singer/songwriter Hayden Desser fails to mask the simple beauty and devastating melodic impact that these 16 songs impart. Desser is an introspective fellow. His music barely crawls along, heavily weighted by its lyrical catharsis. Songs such as 'Home By Saturday' and 'Robbed Blind' are as much built around the confessional narratives as they are the bouncy acoustic arrangements. And while the instrumentation is subtle throughout, with a scratchy guitar carrying the brunt of the rhythm, strings leap boldly into the mix on occasions to elevate the tone considerably. This is an evocative and mature recording, every bit as compelling and convincing as Neil Young's Harvest - undoubtedly an influence - yet possessed enough of its own voice so that it sits as a strikingly assured contribution to the burgeoning nu folk/country genre.

And Finally

nice works from Canadian illustrator Peter Mitchell
Peter Mitchell

nice works from Canadian illustrator Peter Mitchell
Peter Mitchell

A couple of nice works from Canadian illustrator Peter Mitchell. His distinctive and vibrant pieces have been featured in The LA Times and The Boston Globe amongst other publications and hang in the homes of luminaries such as Martin Scorsese and Steven Spielberg. Seriously inspiring stuff. Till next time ... Zolton
Lost At E Minor is a weekly newsletter that showcases the best creative work - music, photography, design or illustration - from Australia and beyond. If you want to send me some ideas, work, comments or anything else you can think of, just email me.