Lost At E Minor 02 - 11 - 05 / no.41

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I Wait So Long

Iker Spozio illustration
Iker Spozio
www.ikerspozio.com

Dear Miss Helena, one time host of children's show Romper Room, now, most likely, methadone addict, you have a lot to answer for. Yes, squeaky clean Miss Helena of wholesome blouse and values, I have not forgotten those childhood years spent patiently glued to the television waiting for you to call out my name through the magic 'looking glass' - that portal to 'good' children everywhere. But not once amongst the John's, the Michael's and the Leroy's (Leroy? Seriously!?); the Gavin's, the Craig's and the Philip's was the name Zolton ever uttered. Was I wrong to expect you to see me there, just inches from the screen? Was my incessant stream of threatening mail a little over the top? Ah, the pain cuts deep. Yet I was never deterred. Despite the false promise that each new dawn offered, I would still rise in hope, my little heart pounding in anticipation that this might be the day that I join my generically named friends in the realm of 'goodness' But it never happened. Instead I was relegated to the world of the unruly, typecast as a troublemaker - a rabble-rouser. Personally, I blame it more on the Pepsi and sherbet diet I enjoyed at the time. But if I can hold a grudge for my ill disciplined adolescence then I will. And a bird-like television host seems as good a target as any. Yes, Miss Helena ... the shame, the shame.
Standing On Sacred Ground

Aaron Baggio illustration and design
Aaron Baggio
www.aaronbaggio.com

It was good to get an email during the week from an Egyptian designer - Mohammed A. Fahmy - plugging his website. He works out of Cairo across a number of mediums and has done some really interesting creative work. Check it out at the Ganzeer website. I also got an update from Bea (Kumako), a Swedish illustrator who has been living in Tokyo for the past four years. Her blog's very nicely written and her work is a colourful mix of cute Genki style art with grittier pop anime. Check it out at the Kumako website. Another artist whose work I'm really into at the moment is Taeeun Yoo. She's been doing a lot of etching recently but still does the odd pencil drawing in her distinctive, understated style. On a different tangent altogether, I got a great tip-off during the week on a short comic series called White Ninja. It's kinda like a Far Side for the attention deficient generation (and, yes, my hand is raised firmly in the air). Meanwhile, photographers should have a peek at online magazine F Stop, which features an impressive selection of black and white work from a random bunch of relatively unknown but world-class photographic talent. Similarly, the Mooncruise website is always worth an extended look. Each issue features a handful of new photographers from around the world whose work is displayed to a rotating soundtrack of beautiful electronica-based music.
Alternate Cuts (shake that tooty booty)
Salsoul music review
It was only a matter of time before 'real' disco bounced back into style. Afterall we've had every other genre from the 60s onwards floating in and out of the musical landscape over the past decade. So why has it taken so long for this saccharine cultural phenomenon to be revisited. Probably because, unlike funk and soul, so much of the mainstream disco from the 70s and 80s was pure shite - rubbish lyrics, monotonous music and rhythms geared only towards those with John Travolta-like dexterity. Fortunately, though, there was a thriving underground scene which was a little edgier, a little racier and whole lot more interesting - as captured on this excellent release off the Salsoul label. Presenting a selection of the 'Definitive' 12's of the time, remixed by the likes of Joey Negro and Larry Levan, this compilation is a solid tribute to the finer aspects of this genre. Now where the hell is my dark purple polyester suit?
And Finally

australian photography
Andrew Burns

australian photography
Andrew Burns


A couple of shots from Australian photographer Andrew Burns: 'On a recent work trip to South Australia's Baxter Detention Center, we were sent down to Glenside mental hospital in Adelaide for a few weeks. This place is one of the oldest buildings in Adelaide and on nightshifts we got friendly with the site security staff. They told us of the underground cells where, fifty years or so ago, patients suffering from conditions such as epilepsy and Downs Syndrome were kept. Of course, back then little was known about these disorders and so they were treated as 'mad' and locked away in this underground world, more or less left to their own devices. One night, a few of us got a guided tour. As always, I had my camera. Apparently they are haunted. It was an eerie experience and the hair on my nape stood up once or twice. But to imagine what it would have been like back then. These cells aren't open to the public and the hospital denies they still exist. Only a handful of folks have seen them since they were disused'. Till next time ... Zolton

Lost At E Minor is a weekly newsletter that showcases the best creative work - be it music, photography, design or illustration - from Australia and beyond. If you want to send me some ideas, work, comments or anything else you can think of, just email me.