January 9, 2008 | New Music | by Sacha Vukic |
The Depreciation Guild is two guys and a Famicom. That’s techno for a certain brand of gaming hardware — Nintendo. The result is an intoxicating swirl of shoegaze dreampop and electro artfulness that leaves you swooning. Kurt Feldman and Christoph Hochheim take notes from My Bloody Valentine, Ride, and Cocteau Twins, as well as more contemporary acts like M83 and Ulrich Schnauss. Hmmm. Taking your beloved old school Nintendo Entertainment System to unexpected concert-hall packing potential; now there’s an idea! Their album — In Her Gentle Jaws — is available for free download via their website. [hear also the music of fellow Brooklynites, Yeasayer]
Listen to The Depreciation Guild track, Sky Ghosts.
December 13, 2007 | New Music |
by Sacha Vukic |
DFA Records need little introduction to dancefloor devotees, but Hold On, a recent release by lesser known artist Holy Ghost!, may not be on the radar just yet. It will be though: we nominate it for track most likely to receive stereo overplay.
November 29, 2007 | New Events | by Sacha Vukic |
It’s either the eye-pop effect of his palette or the graffiti tag sensibility of the brushstrokes that endear David Reed’s new paintings to me. They just seem familiar. In what can feel like an austere and exclusive world of high culture and Chelsea art openings, his solo show opened with a mix of 20-something hipsters and beret-topped collectors. So it seemed like Reed achieved what his bio outlined as his original premise — to re-contextualize abstract painting within a greater visual culture. His exhibition runs at New York’s Max Protetch Gallery until December 22.
November 11, 2007 | New Art | by Sacha Vukic |
Says Sydney-based artist, Clinton Gorst, of his work: ‘About fourteen years ago, I started to make collages for my walls when I was living in a bedsit in London, and soon after that I started to give them away as framed presents. It was just a hobby at the time, but that grew to become a passion once I started to collect resources for future works. I was encouraged to exhibit after a friend of a friend looked at my works and bought five or six pieces on the spot! Recently, I’ve been taking my own photography and using that in photomontage. I’m also creating a new series of digital images that mixes portraiture with pop aesthetics’. Read more
October 27, 2007 | New Events | by Sacha Vukic |
Entering Mike Nelson’s exhibition in a dilapidated garage on New York’s Lower East Side, I’m signing a release form exempting Creative Time from any responsibility should I be injured, or die, while checking out ‘A Psychic Vacuum’. I was curious to see what socio-cultural hotpot he was gonna stir, but after signing that, I’m totally seduced, just by the potential danger of it all. Racy it may seem, but the ensuing exhibition is about as sexy as Dubya in a garter belt. Though it manages to arouse more than a few dust reactive sneezes, digging up buried fears of a global apocalypse that feels far too close right now. Known for his large-scale architectural installations, Nelson’s turned an irrelevant warehouse-like space into a haunted house of hard cultural truths tackling American values, religion, and war in its spookiest caverns. Nelson’s installations are fleeting, this experience ends October 28.
Norman Saunders was one of the most celebrated pulp artists of the ’30s, ’40s, ’50s, and ’60s, with his images adorning the covers of thousands of comic books, dimestore paperbacks, and trashy men’s magazines. The Illustrated Press has just published a retrospective of Saunders’ work. Read more
As a non-coffee drinker, I’m not going to rant about the coffee. I’ve heard, though, that the coffee is damn good. But I am going to talk about something else: food. Oh. My. God. Sydney’s Single Origin cafe have this awesome meatloaf sandwich and a raft of sourdoughs and prosciutto and roast lamb and chevre and chunky steak pies and yogurt with compote and four-cheese toasties and baked beans and … oh! Don’t forget Karlie’s special homemade lemonade! Karlie is always in the house so you know that it doesn’t come from a can and arrives at your table with that sour tang that reminds you of the annual Royal Easter Show. Everything they serve is created ethically and organically. Add the constant grinding aroma of coffee beans wafting through the air and, well, is there any other place to be? [photo by Daniel Boud]
Too sweet for words, these beautiful hoop earrings by Sydney-based designer Carmel Taylor are a real touch of origami for your ears.
Yann Gross’ photos of tattooed bikers, cowboys, drag races, and Confederate-flag-adorned trailer homes are unnerving documents of the American experience. But his subjects aren’t American, they’re residents of the Rhone Valley in Gross’ native Switzerland. Judging from his photos, Europeans don’t necessarily look down their noses at the U S of A. Some of them actually celebrate it, blemishes and all.
Says Yuko Shimizu on the artwork of legendary Japanese illustrator Katsushika Hokusai: ‘I was just at Kinokuniya Bookstore [a Japanese book store at Rockefeller Center in New York] a few days ago and bought The Complete Hokusai-Manga Sketchbooks [published by Shogakukan]. It was $150, but worth every penny with its mind-blowing works of art by Katsushika Hokusai from cover to cover’
Read more
Peter Nalitch is Russia’s answer to Manu Chao. His video for the song Guitar is a Borat-like jab at low-budget, post-Soviet awkwardness — absurd English lyrics, Eurotrash earnestness, bad wipes, and cheap subtitles. But its tongue-in-cheekness is quite apparent, and the song is disarmingly catchy and romantic.
Brilliance can be handed down in many ways — through your voice, your hands, your mind. One individual that possesses it in many ways is young French musician, M83. Read more
WE'RE POSTING / SOME OF THE BEST

Alex Passapera’s dizzying pen and ink drawings are cascades of images melting into one another, often looking like contorting, mutating creatures spewing blood-like ink splatters. Read more

Trip out with Sparrow Vs Sparrow’s retro illustrations, I love their aesthetic, color use and sense of humor. Read more

Karen Caldicott’s clay head models
British born, New York-based model maker Karen Caldicott has been making clay heads for all major US publications over the last decade. Read more

Forget battery powered vehicles. Cars made from ice are the future of transportation: no pollution, no honking horns, no painful rap music blasting out of souped up stereos. And if they melt, they melt. You just swim the rest of the way down the slipstream.

Good thing Kris Kuksi channelled the trauma of growing up with an alcoholic stepfather, his disdain for ‘the typical American life and pop culture’, and his fascination with the macabre into obsessive, baroque assemblages, paintings, and drawings. Read more
Thanks to Sony Australia, four Lost At E Minor readers will win personal audio prizes, including the new 8GB Walkman S series video MP3 player and the MDRXB500 Extra Bass headphones. Read more
Australian illustrator Moofus is just 11 years old. As he says, ‘my mum and dad won’t let me leave school to get a proper job, so I draw lots of pictures’. This limited edition print of Sydney’s Coogee Beach is printed on Epson heavyweight matt paper with archival inks and is just US$20 through the Lost At E Minor store. Read more
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