Lost AT E Minor

September 14, 2007 | Music | by Natalie Liechti |

Current UK beat-boxing champ, Beardyman, recently kept impatient crowds entertained between sets at London’s Lovebox Weekender. We spoke to the Brighton resident about his offbeat style: ‘I’ve been doing it since I was a baby, but I never knew it was called beat-boxing. I thought it was just a habit, like biting your nails, and people were always telling me to stop. Being a good beat-boxer is a mixture between being a good DJ, a cheesy street magician and a vocal athlete’.

Art / James Jirat Patradoon

September 13, 2007 | Art | by Natalie Liechti |

Sydney-based artist, James Jirat Patradoon on his career defining moment: ‘If I could trace my artistic inspiration back to one event, it would have to be the Neo Tokyo exhibition at the Museum of Contemporary Art in 2001. I had never seen art like that before; I didn’t know you could be so playful with it. I vividly remember the Yoshitomo Nara sculptures made out of bandages, and Kenji Yanobe’s atom suit and Godzilla/Astro Boy sculptures that blew bubbles. It was just so fun. I think because a lot of Japanese art contains references to pop culture, it’s more accessible for audiences. They aren’t so intimidated by it because it can be quite light-hearted but still have a serious undertone to it’.

Events / Operation Soapbox

August 10, 2007 | Events | by Natalie Liechti |

A haven for all things creative, London’s Southbank Centre recently collaborated with AOC Architecture to produce Operation Soapbox. Residing at the Royal Festival Hall until the end of last month, the maze of wooden boxes opened up a platform for expression for the young (and not so young) to leave behind opinions, questions and concerns on just about any subject, as Lucy and Anne from the Learning and Participation team behind the project explain: ‘Operation Soapbox affirms Southbank Centre’s commitment to the landscape of the imagination and to the making of participatory art. The maze itself is a space that asks to be interpreted. It invites every reader to make an imaginative and personal response’. Read more

Products / FACT

August 3, 2007 | Products | by Natalie Liechti |

With distribution as far-reaching as Japan, Australia, Spain and the UK, bi-monthly magazine FACT has been covering the best in music and art since 2003 – and best of all, it’s free. We spoke to editor, Sean Bidder: ‘We were, and still are, in love with magazines — and looked back to two particular periods for inspiration - what we considered to be the “golden age” of magazine publishing in the 1930s, when art and lifestyle magazines were beautifully produced products, and to the thrilling, vital and independent DIY fanzine culture that first sprung up in the 1960s’. Read more

July 25, 2007 | Video | by Natalie Liechti |

The DVD release of Daft Punk’s film, Electroma, recently hit the UK. In an interview with The Guardian’s Guide, the guys said: ‘the film is experimental and inaccessible; however, it’s a movie that does not require your brain to function. It’s a film without dialogue, almost without actors’. Sweet.

Illustration / Olivier Blanc

July 12, 2007 | Illustration | by Natalie Liechti |

Talented illustrator, Olivier Blanc, who recently made the move from France to the UK, describes his style as being ‘a sexy, detailed, organised mess’. So where did the initial motivation come from? ‘Drawing came naturally. The work of my dad was a great inspiration. It’s a big part of me and I think I could not live without it’. Read more

Music / Khan Of Finland

July 12, 2007 | Music | by Natalie Liechti |

It’s the final, sultry day of Barcelona’s experimental sound-fest, Sonar, and weary punters are gazing listlessly at an empty, smoke-filled stage. Before long, a vocalist, beatboxer and grand pianist stride on, and what follows is a startling and, at times, deeply melancholic cabaret-electronic hybrid, prompting jaws to drop and delighting the drowsy. Meet Khan of Finland: ‘I tell stories about my everyday life; they are songs about love, pain, party and spirituality. I would call it bionic blues’. [listen to the Khan song, Strip Down]

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Photography / Poppy de Villeneuve

July 6, 2007 | Photography | by Natalie Liechti |

Having recently hosted a successful solo exhibition, UK photographer Poppy de Villeneuve takes time to reflect on everything from murderers to roller-discos. How did the concept behind The Strangers exhibition come about? ‘It’s a project I’ve been doing for the last three years. I visited the Louisiana State Penitentiary and was struck by the place. It’s unlike anywhere else. I talked to the men held in the prison and although most were murderers or robbers, they showed me everything but. I think photography is one of the best mediums to reveal things about people and the way we are’. Read more

Music / Aloe Blacc

July 6, 2007 | Music | by Natalie Liechti |

MC, producer and vocalist, Aloe Blacc, recently released his extraordinary debut, Shine Through, through respected hip-hop label, Stone’s Throw. The innovative soul-heavy sound has caused quite a stir, with Aloe being lauded as single-handedly reinventing the old-school genre. ‘When I perform, I feel it’s important to communicate with the people watching’, he says. ‘I believe in complete participation. I’m always trying to achieve a magical moment where everything on stage is a spontaneous improvisation that appears rehearsed’.

Photography / Tristan Still

April 19, 2007 | Photography | by Natalie Liechti |

Sydney-based photographer Tristan Still discusses the inspiration behind his raw and confronting images. ‘I started when I was sixteen; around the same time I started skateboarding. I loved how the camera could catch and freeze any moment in time’. What are you trying to achieve with each photo? ‘I’m almost always trying to engage the audience in some way, to draw them in and wonder about the who, why and where of the photo’. What is your ideal subject to shoot? ‘People. People in photographs fascinate me - we’re such bizarre creatures with weird little habits, and we’re all so infinitely different. When I see photographs of people, I can’t help but want to know all about this person, their life, what they do, who they are’. Finish this sentence: when I’m not busy photographing, I’m usually… ‘on my skateboard, travelling to skate spots around Australia and the world, playing with my band Hee Haw and teaching photography to enthusiastic students!’

Music / Ty

April 18, 2007 | Music | by Natalie Liechti |

UK MC/producer Ty looks back on the making of his album Closer, the follow-up to 2003’s Mercury-nominated, Upwards. ‘Generally, everything just came together really well. Everyone’s intentions, as far as getting the music done, were great. It all came together through a constant chopping of ideas. Sometimes I would leave an idea alone for a while and we would come back to it later. And some songs just happened. For example, ‘Hustle’ just happened. It was written in New York with Rich Medina. We were kicking it and it just leapt out’.

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Music / The Procussions

April 16, 2007 | Music | by Natalie Liechti |

MC Mr J Madeiros laughs heartily down the phone line. ‘Oh yeah, we are constantly having to win people over. Trust me, it takes a lot of energy to prove people wrong about us. We’re from Colorado and we’ve got a white guy in our group. It’s tough.’ ‘But’, he concludes, with more than a hint of satisfaction in his voice, ‘we’re working hard to do something original in this industry’. The boisterous Madeiros is calling from Rhode Island where The Procussions are currently on tour supporting A Tribe Called Quest. In light of Madeiros’ obvious delight, I ask how this union came about. ‘Oh wow!’ he booms down the line, ‘we were at a Brooklyn hip-hop festival - coming from Colorado to New York, to the majesty of hip-hop was amazing. We’d gone back to our tent after our set and this guy came in and started talking to us, saying how much he dug our music and wanted to tour with us. It turned out to be Ali Shaheed Muhammed [A Tribe Called Quest’s DJ]. We were blown away’.

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Music / Rahzel

April 15, 2007 | Music | by Natalie Liechti |

Exclusive interview with beatboxer Rahzel: ‘The scene today is phenomenal and it’s growing to huge proportions’, Rahzel exclaims animatedly. ‘It has always been a showstopper, but over the years as people’s musical tastes have changed and hip hop has become more commercial, it has grown even more so’. Previously referred to as the ‘forgotten’ fifth element of hip hop (sitting alongside the more prominent elements of breakdancing, DJ-ing, graff-ing and MC-ing), it is thanks to the likes of Rahzel that beatboxing is now recognised as a legitimate art form. Inspired at an early age by Grandmaster Flash (Rahzel’s cousin Rahim was one of the Furious Five) and others such as the Fat Boys and Doug E Fresh, the Bronx-native spent his childhood building up his proficiency as a vocal percussionist. ‘When I first got into imitating sounds, voices and instruments, I basically did it for attention’, he recalls with a laugh. ‘Developing your skills back then was based on catalogue and repertoire, listening to anything that made a sound. And of course, practice, practice, practice’.

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Music / Dengue Fever

April 3, 2007 | Music | by Natalie Liechti |

Dengue Fever’s Senon Williams discusses the band’s sound and story. How would you describe your music? ‘A waterfall far from its source, taking in all the creeks and streams until it builds its self into a massive cascade… that you can dance to’. Can you briefly explain how Dengue Fever came together? ‘Two brothers love the old 60s Cambodian tunes…they go down to Long Beach in California to check out some Cambodian clubs. Not finding what they were looking for, they ask a Cambodian singer to join their band… and voila!’ You recently traveled to Cambodia to create a doco, ‘Sleepwalking Through the Mekong’, how did you find that experience? ‘It was beautiful. We were lucky enough to record with several Cambodian master musicians, play a gig in The Tonle Basaac Ghetto, chill with our singer Nimol’s family, play on Cambodian television and more. We saw, heard, smelled and felt almost too much for my mind to digest. A lot of Cambodians and Westerners were telling me they had been to places they had never been to in years of living in Cambodia until we showed up. That makes me feel good’.

Music / Joseph Israel

March 29, 2007 | Music | by Natalie Liechti |

Roots-reggae artist Joseph Israel has been rather busy of late, wowing crowds at SXSW and releasing his debut album, ‘Gone Are The Days’. We caught up with him. Is it true you became interested in reggae music as a two year old? ‘Yeah, reggae music spoke to me at a very early age. It’s the feeling, the message, the words, sounds and power that sets reggae music apart’. You then quickly developed a strong interested in Rastafarian culture, how did that come about? ‘Rasta made a lot of sense to me in many ways. As a youth, I had many questions and Rasta people inspired me to look at life with an open mind. Now I am involved with spreading this message - I love Rasta culture and Rasta people. In fact, I love all people and my hope is for the restoration of the human race!’ Gone Are the Days was recorded in Jamaica’s famed Tuff Gong Studios, how much did being in that environment influence the album’s creation? ‘I met producer/ bassist Chris Meredith and he invited me down to Kingston. Recording in this environment is ideal for the music, you feel at home and everything is natural. Lots of vibes at Tuff Gong!’