As a component of Tiny Movements by Swedish conceptual artist Johanna Billing, the performance piece, You Don’t Love Me Yet, has been presented in over twenty countries since its conception in 2002. Scheduled for August 16, Billing has invited a diverse and exciting collection of Melbourne bands to reinterpret the ever-hopeful tearjerker which was originally recorded by Roky Erikson in 1984. Among those taking part in the event are Beaches, Henry Wagons, Super Wild Horses, Fabulous Diamonds, Tic Toc Tokyo, Francis Plagne, and Teeth and Tongue, each challenged with the task of making something familiar, unique.
More often than not, internet-only hip hop mix tapes are released by wannabe rappers whose lyrics and delivery are derivative and uninspired, and who’ll never get enough weight behind them for a full length release. 24 year-old Washington MC Wale Folarin is different. Mixed by one of New York’s best hip hop DJs, Nick Catchdubs, and produced by 9th Wonder and Mark Ronson (who signed Wale in 2007 to his Allido label), his latest offering Back To The Feature solidifies Wale as a confident, engaging lyricist with a true talent for cross-genre appropriations.
For the next fortnight, independent Sydney publishing collective Rainoff Books has set up a temporary curated bookstore in Surry Hills. The store launched last week with a party celebrating the release of Pretty Telling I Suppose, the new photographic collection by Sydney artist Samuel Hodge. Hodge’s photography allows us short glimpses into his subject’s most intimate experiences, enabling us to experience life as someone else. But only for a moment. Hodge renders permanent those everyday fleeting moments often forgotten: a lover’s admiring glance, a sibling’s warm touch, grandfather’s knowing look.
We checked in with Andy Meecham, one half of Staffordshire duo Chicken Lips, about his latest side project, The Emperor Machine and why he prefers using vintage equipment wherever he can: ‘I like the feel and touch of vintage equipment — if that doesn’t sound weird. I like the hands-on approach and get a lot of inspiration from buying new, old vintage equipment. I have nothing against computer software — it is getting to the stage now where you can’t tell the difference — but for me, it’s just not the way I prefer to work’.
Casio Keyboard Brooklyn trio Au Revoir Simone are about to release a collection of remixes and covers their musical friends have recorded of songs found on their second album, The Bird Of Music. Titled Reverse Migration, the record features re-workings by Best Fwends, Teenagers, Darkel, and more. We caught up with them recently. Why and […]
Verbs, the second album from Portland band AU (pronounced ‘ay you’), is surprising, and excitingly ahead of its time. Moving through 20-person chorus cries, subtle lullabies, whispered melodies, and screeching and scratched guitars, you never know where the journey will end. Psche-folk, freak-folk, electro-folk-noise, or whatever you want to call it, AU’s genre sprawling music paves the way for a wider breadth of experimentation in folk-inspired electronic production. We interviewed the group’s front man and founder, multi-instrumentalist Lyke Wyland.
Sydney band Seekae started playing together at the beginning of 2007. Initially Commander Keen, they changed their name after they noticed a band in Aberdeen who used that same moniker and ‘who played really nice music’, says one third of the group, George Nicholas. They obviously didn’t think they needed the competition. In their early 20s and relatively new to the Sydney music scene, Nicholas and bandmates, John Hassell and Alex Cameron, have an accomplished and mature sound, making Gameboy inspired ambient electronica similar to Electric President and Prefuse 73. Currently they’re writing and recording a new album titled The Sound Of Trees Falling on People and plan to release it at the end of this month.
How many bands can you name who’ve formed over drunken conversations at parties? Add another to the list. Vito De Luca and Stephen Fasano of Belgian duo Aeroplane met around six years ago at a party, and decided to work together after discovering a shared appreciation for 60s and 70s psychedelic pop, Fleetwood Mac, Brian Wilson and 80s synth pop pioneers Brian Eno and Giorgio Moroder. ‘At the beginning Vito made me listen to the demos which he made and I found it very interesting!’, Fasano says. ‘I wanted to do disco-rock-electro music with my influences, and after several working years, we both found our own sound’.
Nine months ago Sydney couple Matt Cribb and Bree Carter decided they’d take their relationship to the next level. They started making beats. After posting two home-recorded tracks on MySpace as WOW, they got the attention of New York-based independent label Metal Postcard who agreed to release the duo’s first official pressing.