WE'RE SUPPORTING

Walton Ford’s huge, intricate watercolors and prints inspired by John James Audubon’s Ornithological Biography, Vietnamese folk tales, and Benjamin Franklin’s letters boggle the mind with their scale and detail. Ford depicts very subtly anthropomorphic animals that hint at parables, jokes, and metaphors. Read more

WE'RE TRAVELLING TO

Formed in New York and now based in Rotterdam and Berlin, SMAQ is a collaborative studio for architecture and urbanism by architects Sabine Müller and Andreas Quednau. Here they have created an interesting installation called Bad (bath) in the Solitude Palace Gardens in Stuttgart with the premise of creating a usable sculpture which entwines a 1000 metre long garden hose throughout a timber structure. Read more

WE'RE WEARING

Jules Kim is the designer behind the jewelery label Bijules, which is based out of New York. This entire accessory line including hairrings, using real and synthetic human hair. This collection called Haire allows you to clip on colored pieces and daring do’s without having to commit.

WE'RE THINKING

Very few band reunions get me excited, but I’ve consistently loved Faith No More since I was 13. I loved their pre-Mike Patton era, I loved King for a Day, and I even loved their track with Boo Yah Tribe on the Judgment Night soundtrack. Kerrang recently hinted that a FNM reformation is in the works for ‘09, and though bassist Billy Gould has emphatically denied the rumors, the general consensus is that the reunion is on.

WE'RE READING

The Magazineer is ‘a blog about magazine design and print culture, written by people who love, and make, magazines’. Read more

I don’t get Flight of The Concords. I just don’t find it funny. I also don’t get most comedy these days. It’s so derivative and clichéd. Everyone wants the same laughs. I like comedy that pushes the boundaries in strange ways. Fonejack is one underground unit that have had me rolling around on the floor with their real life skits. Read more

WE'RE LISTENING TO

Listening to Mum’s fourth album — Go Go Smear the Poison Ivy — for the first time, I was awash with sentimentalism. Amidst carnival trumpets and burlesque beats, there’s a sense of this being a bohemian rhapsody. Perhaps it’s the mix of cello and brass with experimental electronica. Or maybe it’s just the soft vocals that cascade over playful, imaginative sounds. Whatever it is, it’s totally brilliant. [see also Sigur Ros' Heima]

Listen to Mum’s track, The Amateur Show.