September 1, 2011 | New Film | by Brian Fallon from The Gaslight Anthem |

I drive a Dodge Challenger, I’m a Mopar guy, I do love Mustangs, which Steve drove in this film, but for me it’s about the Mopar. I love chase scenes and this is the best one. The Italian Job is a close second, but this one started it. For me, I want a ’69 Camaro SS to go with my Challenger, but for now I have to sell records out of the backseat and watch Bullitt.

August 20, 2011 | New Film | There's video in this post. by Brian Fallon from The Gaslight Anthem |

Mulholland Drive is the only David Lynch movie I understand. I just like the craziness of it all. Is she dead, is it a dream, who’s dead, maybe everything’s a dream. That’s exactly how I like it to be. Read more

 

Olly Moss is a British illustrator who has created works for such noticable clients as the New York Times, Computer Arts Magazine and Urban Outfitters. His latest hit is a clever series of Star Wars posters. Read more

Here are some pretty clever stills from iconic films recreated with LEGOs. The one for American Beauty is particularly funny. Read more

The Hatton hotel epitomises Melbourne cool. Those who value design, location, and luxury will find The Hatton the perfect Melbourne base. Read more

Artist Bill Zeman has an ruthless, hard-nosed art director giving him orders — his four-year-old daughter. He posts the products of their stormy collaboration along with her devastating critiques on his blog, Tiny Art Director, where you can also purchase the book version. Read more

Growing up on the road in the deep south of America will either maim you or make you stronger. In Ryan Bingham’s case, it was the latter. Read more

Aussie streetwear label Zanerobe create the most wearable t-shirts around. Not only are they soft like the fur off a particularly smooth peach, they look mighty sharp too. Read more

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Inspired by Caspar David Friedrich and American Space Travel, the Das Nebelmeer print by Rebel Unlit features a unique collage of mountains and space shuttle smoke. We love this surreal piece, and its partner in crime, the Der Wanderer print. Both works are giclee prints on cotton matt archival 310 gsm paper. Check out these and other cool Rebel Unlit pieces in the Lost At E Minor store. Read more

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