WE'RE SUPPORTING

Zeke Clough’s obsessively detailed drawings harken back to the mind-expanding glory days of Zap Comix. His oeuvre oozes a sense of dread, with lines snaking across the page like coiled intestines and the crosshatching of shadows growing like mold on dead flesh. Read more

WE'RE TRAVELLING TO

Located on West Houston, Alphaville is my favorite gift store in Manhattan. It offers a great selection of vintage objects, from Nixon’s campaign buttons, to Sesame Street 80s mobiles, 50s greeting cards and the original Mr. Potato Head and his friends. It’s one of those places I walk into just to look but always end up buying something.

WE'RE WEARING

Threads or Dead is a new Australian-based online clothing store, based in Perth, and selling streetwear and contemporary fashion for both guys and girls. Says site founder Justin Greenwood: ‘As well as stocking some of the more well known brands, we also import a lot of labels exclusively from America, and produce a small range of our own clothing. We want to sell clothing that is unique and often has a story behind it. We don’t want to sell clothing that is available in your average High Street store’. Read more

WE'RE THINKING

Though artistic genres from the last couple centuries inform Marc Burckhardt’s style, he is not a period fetishist. The playful way in which he incorporates visual jokes and modern themes has a simplicity to it, making each of his images self-contained and elegant. Read more

WE'RE READING

Some might argue that the team behind People of Walmart are elitist snobs poking fun at the working masses, but is there really an economic rationale behind an ‘I Hate Queers’ t-shirt? Read more

Improv Everywhere strikes again with a spontaneous musical in a Los Angeles mall. Wireless microphones hooked up to the mall’s PA system ensured the feeding masses didn’t slip into Cinnabon-induced comas until after the show was over. Note especially the angry dude in sunglasses at about 2:51 — apparently he thinks nothing can ever top Rent.

WE'RE LISTENING TO

Korean-born Okkyung Lee, who has found a niche amongst the regulars at John Zorn’s The Stone, makes intricate cello improvisations based on her classical and jazz training, following a path forged by the likes of Tom Cora, but veering off into her own stranger, noisier directions.