New paintings by Matt Root
In my recent paintings, I have been incorporating 1950s star atlases with religious and cultural icons, presenting them as shrines or monuments. Throughout these works I attempt to ask questions of identity and ownership within the American landscape. For example, the painting Arizona Tag uses the state’s license plate as a backdrop for objects that symbolize the cultural conflicts of life on the US/Mexico border.


Tagged: 1950s, Arizona Tag
Also by MATT ROOT
Installation piece by Charles Wing
This is a recent installation piece by New York based artist, Charles Wing. I’ve always really been into his video, sculptures, and installations. This piece started out as twisted take on a window shop display and then became something else entirely. This video shows one of his installations at Chloe Sevigny’s runway show for Opening Ceremony, Resort collection. Read more
Jovan Erfan’s Evil Eye installation piece
Jovan Erfan’s work explores concepts of hybridity in cultural identity, particularly relating to the Iranian-American experience. Inspired by mythological narratives, present-day imperialism, voyeurism, and the female body as a metaphoric site of social and individual trauma. Read more
Goldmine: vintage clothing curiosities
Created and owned by styling duo Lesli Wood and Erica Clum, Goldmine is a boutique, workshop and communal space. Inside you’ll find eclectic pieces ranging from meticulously selected vintage wearables, hand crafted raw stone and metal jewelry and a myriad of other curiosities made by local and distant artisans with an emphasis on re-use and up-cycling. Read more
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Carrying on the tradition of Giuseppe Arcimboldo, Chinese artist Ju Duoqi has recreated a bunch of iconic paintings using photos of vegetables. Read more
I’m really digging Los Angeles-based illustrator Jon Han’s textured, colourful, almost scientific work. I find it particularly refreshing how Han frequently eschews most of the physical detail within his tiny figures, which lends itself all the more to further enhancing the diagram like quality of his work.
The Hatton hotel epitomises Melbourne cool. Those who value design, location, and luxury will find The Hatton the perfect Melbourne base. Read more
Fashion blogger Tavi is biting, witty, articulate, and stylish for any age. The fact that she’s only twelve makes her kind of over-the-top amazing. Already an accomplished photographer and astute critic of all things wearable, the sarcastic pre-teen is probably sick of being described as precocious, but she’s the very definition of the word.
I’ve heard whispers that Kings Of Convenience, the Norwegian duo of folkloric proportions, have split. I hope they’re unfounded, but like all good rumours, where there’s smoke, there’s fire. Perhaps Erland Oye is enjoying the unlimited scope of his solo career too much? And then there’s his new submorphic guitar pop project, The Whitest Boy Alive, to keep him occupied. The whitest boy alive? Indeed he is. But damn the guy can sing.
Luxury goods have been getting a bad rap lately, and for good reason. Now I don’t know how you roll, but we don’t know many people who enjoy covering themselves head-to-toe in someone else’s initials. Yet for some reason designers think that diamante logos and monogrammed tapestries are the best mediums to communicate their brand. So it’s just as well LA based eyewear label Barton Perreira doesn’t play by the rules. Starting out less than a year ago, you won’t find their designs getting over-excited by insignia. Instead, these guys hand make their frames in Japan to rely on precision, fit and design. And that’s the way it should be.
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The Arquebus Clothing Brand, based in Brooklyn, is dedicated to designs that are self-expressive and meaningful through imagery or typography. They are bold, positive, inspirational, motivational, witty, philosophical and very wearable. We love these pieces inspired by nature, history, and everyday living. Some favorites can be found in the Lost At E Minor store.
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