Wolfgang Bloch
There’s no question I’ve spent more time looking for waves than riding them. Apparently, that’s part of the fun. I’m not so sure, but it is pretty special stumbling onto a good one after driving half the day. Wolfgang Bloch also knows that moment, when you crest another dusty ridge and first glimpse distant, windswept perfection. His palette of rocky browns and stormy greys bookend perfect pointbreaks, reeling off unridden in some faraway place. It’s the sort of art that encourages you to get off the couch and hit the road. And that’s very cool.
Tagged: landscape art, surf art
Also by BEN KEYS
Surfland series by Joni Sternbach
Who needs a digital camera when you could be processing your portraits right there on the beach, with the subjects looking on? This is the approach taken by Joni Sternbach with her Surfland series, using a technique unchanged since the 19th century. Read more
A few years back, Matt Doust was completing portraits using Biro pens, each work a feverish mass of black and blue layered lines. Forward to 2011 and the Perth artist is now creating enormous hyper-realistic oil portraits and was recently named a finalist in the Archibald Prize. Read more
Dig, hepcats! If the art of Miles Thomson doesn’t transport you to a beachside speakeasy staffed by monkey waiters serving cocktails in tiki heads, well, something must be very wrong. The Californian effortlessly blends elements of surf art, jazz iconography, cowboys and injuns, vagabonds and drunks, life and death — all that good stuff. He’s also currently working on images of crime figures such as Al Capone, John Dillinger and Jesse James for Nickelodeon’s The Mighty B, so keep an eye out for his unmistakably groovy style on the box real soon. Read more
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