
Mad Cow Motorcycle by Billie Grace Lynn
The crops we feed cows with these days are literally fertilized with fossil fuels. Therefore, we essentially feed cows gasoline. We might as well ride them like motorcycles like this amazing sculpture by Billie Grace Lynn: it’s actually a human powered bicycle, but since all the food we eat is fertilized by chemical fertilizers, we are actually a form of combustion engine.
Tagged: Billie Grace Lynn bike, cool bike
Also by GERRY MAK

Awareness Raps: Amber Tamblyn tricks Tyrese Gibson
When I read this article about Amber Tamblyn tricking Tyrese via email into thinking she was Amber Rose, I had no idea who either Amber was. Now I know.

Drawings of animals by Maria Elina
It’s funny that as alienated as we are from animals in this modern world, people still feel compelled to draw them as if it were one of our core instincts. Argentine artist Maria Elina does excellent drawings of anthropomorphized animals. Excellent, I say. Trust me, I look at the internet all day. Read more

Surreal sculptures by Ben Wheele
Honestly, writing about art (and music, for that matter) is kind of an awful task because good art speaks for itself. Such is the case with Ben Wheele’s surreal sculptures and videos. I use the word ‘surreal’ to describe 90% of the art I like not because I’m a lazy writer, but because there’s really not much more to say, and I like surreal and grotesque shit. Read more
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Pleasingly simple and to the point, the illustrations of Baltimore illustrator Kelly Lasserre are a quirky grab-bag of fleeting thoughts and charming vignettes. It almost feels like the coolest journal you’ve found yourself privy to. Read more
When I was growing up, those little green plastic army men were a ubiquitous toy. How fucked up is that? I would have preferred these little green skateboarders.
The Hatton hotel epitomises Melbourne cool. Those who value design, location, and luxury will find The Hatton the perfect Melbourne base. Read more
Activists from all walks of life — architects, artists, children, students, skaters, and more — are documented on the Tools for Actions website, aiming to show us how, whether deliberate or not, the tiniest or the biggest project driven by the quietest or loudest voice can trigger radical change in today’s urban centres. It’s an inspiring blog, particularly for those feeling disempowered. Read more
Oh man, close your eyes if you will and transport yourself to a place far, far away; where disco is in, polyester is up, and everyone bows long and deep to the gravitational pull of the almighty afro. Sister Self-Doubt by The Shakes takes me there. It takes me front and centre, feeling that slippery, incidenary groove as it crunches my spine and works its way to my feet. Hmmm, the feet. It’s always in the feet. And now I’m dancing and twisting, onwards and upwards, like a manic spinning top thinking nothing of today and even less of tomorrow.
Listen to The Shakes track, Sister Self Doubt.
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I’m not much of a jewelry guy, but if bling is in order, it’s ordered from my man Osa at Complete Technique. Originally from Japan, Osa is now based in Dumbo, Brooklyn and makes the finest metal jewelry, on par with any of his ancestor’s samurai swords. From speaker rings to turntable pendants, it’s all fresh and mostly music or hip-hop related. He’s been at it for about ten years and works harder than most people I know. If you need some jewelry, show him some love.
In 2008, graphic designer Becky Edgington and illustrator Sarah Beetson created two limited-edition packs of playing cards featuring images from Beetson’s exhibition, 50 Bucks: Bring On The Sluts. The images were selected from almost 500 small artworks created on moleskine paper, inspired by vintage pornography and a trip to Japan. Read more
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