New Work by Vasco Mourao

WE'RE SUPPORTING

Jo Gannon is a printmaker working out of Aberdeen, Scotland. Her work is drawing based, intricate and detailed: ‘I like to create surreal compositions’, she says, ‘exploring the subconcious and the free-flowing thoughts that run through the mind’. Read more

WE'RE THINKING

Illustrator Paul X. Johnson’s portrait of Rachel from Blade Runner really was the piece that won me over, but the rest of his noir-ish work is pretty spectacular too. Read more

History is the story of the winners, and western dominated culture recounts few triumphs from the east. Mongol is an effort to correct this balance, and the eastern influence is evident in much more than just the storyline. It is more like a fairy tale or legend handed down through generations, than based on fact, with mythical elements playing a major part, and the character’s motivations remaining simple. Read more

WE'RE TRAVELLING TO

We’re smitten (kitten) by the look of the new Standard Hotels’ Pendleton blankets, which were designed by the artists Geoff McFetridge and Chris Johanson. Composed of 82 per cent pure virgin wool and 18 per cent cotton, only 40 of each blanket design have been made. Read more

WE'RE READING

There’s no shame in being a spinster seeking solace from a meme blog, so for all you lonely gals (and guys) out there, Cute Boys with Cats offers to dull the pain of those lonely, lonely nights.

WE'RE LISTENING TO

Originally hailing from Kendal, Cumbria and now based in Leeds, the Wild Beasts foursome are the next hopefuls for Domino Records, who sent the group out to Sweden to record their first album, Limbo, Panto, released on June the 16th. The new single — The Devil’s Crayon — shimmers in wide-screen around a sense of location, melody and wonder at the scale of things. Indeed, it sounds like the theme song to a new kind of very English road movie.

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WE'RE WEARING

Busy P is the man. This design pays homage to one of the world’s most enigmatic pop-culture mavericks. The French maestro is almost single-handedly responsible for the success of both Daft Punk and Justice. The Midas Touch design references this with the golden robot (representing Daft Punk) and the golden cross (representing Justice) — the idea being that everything Busy P touches turns to gold.