Antichrist, a film by Lars von Trier
by At a time when mainstream cinema seems to be getting more palatable and boring, it’s fantastic that an artist is still making films that challenge and confuse. Writer and director Lars von Trier is an excellent filmmaker. The cinematography throughout this movie is phenomenal, in particular the first scene and selected close-ups. It’s also a tight script, where the tension does not abate for a moment. I’ve seen a few arthouse movies that just weren’t good enough to make it mainstream. Lars von Trier has the skills but chooses to confront, and for that reason his films will be discussed for decades, instead of months.
Tagged: Antichrist, Charlotte Gainsbourg, Lars von Trier, Willem Dafoe
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Melancholia: a film by Lars von Trier
I wish there were a lot more of the types of films made by Lars von Trier. Each is very different but still distinctly von Trier, and each is superb. Melancholia is the follow up to the wonderfully confronting Antichrist. This is all about the end of the world, and told with an honesty and pacing that is probably much closer to the actual end of the world than all the Hollywood crap would have you believe. Read more
Lars Von Trier’s new film: Melancholia
Keeping up with the trend of the Apocalypse, Lars Von Trier premiered his latest mind scramble, Melancholia, at Cannes this year. The film is typical Von Trier, with its paced and dry psychological unraveling, complete internal disrobing of the characters, and high strung tension. But it also excels with its breathtaking cinematography, cosmic soundtrack, and remarkable performances by Kirsten Dunst and Charlotte Gainsbourg. This movie will make you avoid looking at the moon for a while.
Melancholia: a new film from Lars Von Trier
iTunes made this film available to view last month, so I found it really strange to find out that the movie has yet to be released in most theatres. Regardless, I watched it on Itunes and I still can’t really sum it up. It’s definitely not what I expected. It’s beautiful. And sad. And isolating. And comforting. When it was over I didn’t really know what I had just watched. All that said, it’s the best movie I’ve seen in a really, really long time.
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If you’re a sucker for good strong figurative work with a flair for the unexpected, you’ll like the work of New York illustrator, Michael Camarra for sure. I’ve known Camarra since our days back at Pratt, when he still painted with a brush and a tube of paint. Now that Camarra has moved on up into the realm of digital painting, I’m amazed at how, incredibly, the digital paintings lose almost none of the raw spontaneity his traditional paintings possessed but instead introduce a somewhat cleaner edge overall, which lends itself to his cleaner graphic sensibilities. Read more
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Pitched as ‘Ulterior Motives in Contemporary Art’, Disorder Disorder is running until November 14 at Penrith Regional Gallery. It’ll be well worth the trip out west of Sydney: the Australian, Japanese, American and European cast reads like a warriors of street art roundup and includes Mike Giant, Ed Templeton, Anthony Lister [artwork above], Ozzie Wright, and Jonathan Zawada. Read more
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The return of the Brionvega rr226
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Mathematics? Leave me out. Fashematics? Now you’re talking! This gem of a site is a runway equation that adds up to a whole lot of wonderful.
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