Say Anything, Miniature Tigers at Highline Ballroom
Last week, the Highline Ballroom hosted a sold-out show filled with more teen angst than a vampire movie. Say Anything was headlining, which was clearly who the crowd was there for, as teenage girls ran rampant, trying to scam drinks at the bar and waiting impatiently for the opening acts to finish their sets. I was interested in seeing Miniature Tigers beforehand, so I made sure I got to the Ballroom in time to catch them at 7. The Tigers have a great sound, and they were fun and energetic on stage, although they certainly could’ve been tighter.
This is their first album and tour, however, so they most definitely get a free pass in terms of technicality. Songs like Cannibal Queen and Dino Damage hit the mark, and they debuted a couple of new singles that were pretty interesting and seemingly more complex than those before. This is a band that’s definitely on their way up the indie ladder, and will be sure to be featured on all of our favorite music blogs any day now.
The crowd was growing restless waiting for Say Anything, and at approximately 9:30, they finally took the stage to a mass of applause and hollers.
The band is touring due to their new self-titled album, which recently hit the shelves, but luckily for me (and everyone else who doesn’t really know their new stuff), they played more old songs than new. And regardless of their age, the teenage girls who filled the room knew every word to nearly every song the band played. When singer Max Bemis stepped to the front of the stage, screams raged and arms reached out to touch him like he was a goddamn Backstreet Boy.
Baby Girl, I’m a Blur, Red Cat/Yellow Cat, and Every Man has a Molly Connolly, all evoked huge reactions from the crowd, and of course, much stage diving ensued. It was a great show, with a really tight band which is seasoned well beyond their years. Maybe I’ll finally give the new album a listen. [photos by Marc Evan]
Tagged: Highline Ballroom, Max Bemis, Miniature Tigers, Say Anything
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Also by ELIZA CZANDER
The other night The Dodos performed the first of two shows in New York. Though it wasn’t sold out, the music hall of Williamsburg was packed to the rafters with hipsters, thirty-somethings, and teenagers who crawled over the bridge from NYU and the Metro North. The crowd was pretty rowdy for New York City and the boys certainly made it worth the 17 bucks to get in. It was my first time seeing The Dodos live, and I was expecting a fairly calm show considering their last album Visitor is on the more mellow side. I couldn’t have been more surprised as the first few songs flew through the walls at the music hall thumping and shaking the place to the core. Read more
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My background is in street art and there are a lot of people historically who I’ve really liked. But in terms of new people, I particularly love the work of Brooklyn artist Judith Supine. It’s a surreal combination of old engraving art mixed with hand-drawn and painted images. He does paste up posters, but they’re not just square, they’re cut-out shapes of these interesting looking characters. The closest thing I could compare it to are the Monty Python animations. Read more
California-based artist Andrew Brandou draws from the children’s books, as well as the tripped-out, cult obsessed, disillusioned zeitgeist of the 70s when his early consciousness took shape. The storybook-ish quality of his works creates a sort of narrative of the tectonic shifts that have taken place in the psyche of an entire generation — anthropomorphic animals frolic in subtly Japanese-lacquer-inspired landscapes as gas-mask-wearing cops creep, grinning skulls loom, elevated freeways overwhelm the rising sun, and bloody murder scenes remain hidden just beyond the view of the paintings’ innocent subjects. Read more
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Beach House are certainly different. The dream pop/indie rock duo from Baltimore create music bursting with atmospheric rhythms, pretty organs and poignant lyrics. I’m loving Norway, the twosome’s debut single from their upcoming album, Teen Dream. If the vocals sound familiar, that’s because lead singer Victoria Legrand shared backing vocals on Grizzly Bear’s Two Weeks. Now how’s that for trivia?
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Mexican architecture firm Senosiain Arquitectos recently designed a shell-shaped dwelling for a Mexico City couple. The owners are already living in their new abode with their two very happy children. The structure is maintenance-free and earthquake proof, and is full of soothing greenery and smooth, rounded surfaces. Read more
Animator Mathieu Labaye created this short film in tribute to his late father, who had been in a wheelchair for the last 15 years of his life. Read more
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Trip out with Sparrow Vs Sparrow’s retro illustrations, I love their aesthetic, color use and sense of humor. Read more
Damn hipster dogs coming in here with their parents’ money, acting like they own the place, not respecting us real dogs who know what real culture and art are. We were here first and we knew about all those bands before they did. Read more
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Despite the intentions of many, it’s not so often that advertising — as an industry — truly thinks outside the box. Yet, when executed well, clever eye-catching advertising actually works. It does. As these examples will attest to. Read more
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Originating in Shanghai, the Feiyue sneaker first appeared in the 1920s. This small shoe made of light material that has guided the paths of all social classes in China, has crossed continents, arriving in Europe in 2006 where it was picked up by a team of French enthusiasts, fascinated by sneakers and urban culture. Read more
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