Topaz Rags

WE'RE SUPPORTING

We spoke with Patience, lead singer of Australian band The Grates, about the new album the group are in the process of writing. Read more

WE'RE TRAVELLING TO

Musicians in Jacksonville, Florida, often plop themselves amongst breakfasting families to nurse their hangovers at the Fox Restaurant. The food is a step above normal greasy spoon fare, but is just as cheap, with a full breakfast costing as little as three dollars. They even offer bananas as an alternative to grits or hash browns.

WE'RE WEARING

Ninety percent of the time, you can pick a Scandinavian brand from a metric mile away, which is not necessarily a bad thing considering that the Scands have such a refined, clean approach to thinking about clothes. Read more

WE'RE THINKING

I’m so excited to have stumbled across the work of Berkeley, California artist Weston Teruya. On first glance, his work feels purely abstract, like black and white grids with dots of colour here and there, undulating across clean backgrounds. On closer inspection, however, perfectly rendered chairs, life savers, netting, plants and various ephemera come to light. I’m always excited when I come across an artist who can so successfully merge the realistic and abstract, and Teruya does it with aplomb. Read more

WE'RE READING

UK music journalist Everett True comes from the Nick Kent school of writing: live the life and hope to come out the other end with one hell of a story. And he has. In this case, the story of Kurt Cobain and Nirvana. In this exclusive piece, he talks about his association with Seattle’s finest and his friendship with the perennially troublesome Courtney Love. Read more

Oh man, my eyeballs feel like they’re dropping out of my head. This clip is pyschedelic in a way that platform shoes and polyester shoes could never be. The Faint are the shizz, and that’s the truth.

WE'RE LISTENING TO

Metronomy are a cool little London-based group headed by producer and remix extraordinaire, Joseph Mount. The sound sits somewhere between Autechre and Vitalic: clanging keyboards and body-gurning beats laced with an undercurrent of ominous electronica. It’s not as inaccessible as much of the more twisted electro-based stuff out there at the moment, although it retains an edge perhaps unpalatable for some ears. Yet there’s a catchiness to it that is clearly roping in the crowds: their live shows are a spectacle, complete with synchronised dancing and flashing costumes. If that floats your boat, they’re playing for free at the Tate Britain, London, on 27 September.