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Tristeza’s new album, Fate Unfolds

From the surreal opening to the feverish end, Fate Unfolds captivates with a tonal palette that is both broad and gripping. Indie kings of the southwest, Tristeza, have been at it for slightly over a decade. Their latest full-length delivers without a drop of disappointment. Fate Unfolds is drenched with the seemingly long lost art of crafting an album that plays as one solid piece. I could pick several ’singles’ that I hear on this record, but to do anything but drop the needle and park it does a huge disservice to the artistry and arrangement of this record as a whole. Herein are huge washes of guitars and synths, layered with drums dubbing back and forth from programmed to acoustic with ease and a backbeat that is anything but ‘indie rock’.

Instrumental bands get a bad rap. It’s mostly because of the Canadian melodramatics that ruined it for everybody in the late nineties. If I didn’t know this record was slated for a release in just a couple months, I don’t know that I could have accurately pinpointed a time period on the recording of these songs. While several production elements hint at a 70s dub feel, there is a mature tension, and raw rock element that is an emergent sound for Tristeza. It’s almost like certain elements invoke the image of Lee Perry slapping hi-fives to Steve Albini behind the mixing console.

Tristeza are also helping spearhead a trend that is integral to the survival and validity of independent music. There will be no US compact disc release of this album. Better Looking Records will distribute the digital format of Fate Unfolds, and Wildlife Vinyl will be pressing the vinyl.
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Also by DAVE MATA

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The French photographer and street artist, JR, has stepped up his game in an impressive way in recent times. He does huge xerox blow-ups of his own photographs and has done stuff in New York, Paris, and London. He did some huge work on the side of London’s Tate Modern, for instance. When I met the guy in Paris in 2003, he was doing 18×24 paste ups, and now he’s doing work that’s multiple stories high. It probably helps that he’s backed by Steve Lazarides, who was Banksy’s agent for a while. He’s got a big crew and some serious financial resources now. There are two components to effective street art: accessibility and the spectacle. Does it give me pause from the monotony of my usual day? JR may not be so much about the DIY anymore, but he’s definitely all about the spectacle. Read more


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